Édouard Lalo in the context of "Cello concerto"

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👉 Édouard Lalo in the context of Cello concerto

A cello concerto (sometimes called a violoncello concerto) is a concerto for solo cello with orchestra or, very occasionally, smaller groups of instruments.

These pieces have been written since the Baroque era if not earlier. However, unlike instruments such as the violin, the cello had to face harsh competition from the older, well-established viola da gamba. As a result, few important cello concertos were written before the 19th century – with the notable exceptions of those by Vivaldi, C.P.E. Bach, Haydn and Boccherini. Its full recognition as a solo instrument came during the Romantic era with the concertos of Schumann, Saint-Saëns, Lalo and Dvořák. From then on, cello concertos have become more and more frequent. Twentieth-century composers have made the cello a standard concerto instrument, along with the already-rooted piano and violin concertos; among the most notable concertos of the first half of the century are those of Elgar, Prokofiev, Barber and Hindemith. Many post-World War II composers (Shostakovich, Walton, Ligeti, Britten, Dutilleux, Lutoslawski and Penderecki among others) have written at least one.

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Édouard Lalo in the context of Violin Concerto (Tchaikovsky)

The Violin Concerto in D major, Op. 35 was the only concerto for violin composed by Pyotr Ilyich Tchaikovsky. Composed in 1878, it is one of the best-known violin concertos.

The concerto was composed in Clarens, Switzerland, where Tchaikovsky was recovering from the fallout of his ill-fated marriage. The concerto was influenced by Édouard Lalo's Symphonie espagnole and was composed with the help of Tchaikovsky's pupil and probable former lover, Iosif Kotek. Despite Tchaikovsky's original intention to dedicate the work to Kotek, he instead dedicated it to Leopold Auer due to societal pressures. Auer, however, refused to perform it, and the premiere was given by Adolph Brodsky in 1881 to mixed reviews. The piece, which Tchaikovsky later rededicated to Brodsky, has since become a staple of the violin repertoire. The concerto has three movements, is scored for solo violin and orchestra, and typically runs for about 35 minutes.

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