Jessie Willcox Smith (September 6, 1863 – May 3, 1935) was an American illustrator during the Golden Age of American illustration. She was considered "one of the greatest pure illustrators". A contributor to books and magazines during the late 19th and early 20th centuries, Smith illustrated stories and articles for clients such as Century, Collier's, Leslie's Weekly, Harper's, McClure's, Scribners, and the Ladies' Home Journal. She had an ongoing relationship with Good Housekeeping, which included a long-running Mother Goose series of illustrations and also the creation of all the Good Housekeeping covers from December 1917 to 1933. Smith illustrated over sixty books, including notable works like Louisa May Alcott's Little Women and An Old-Fashioned Girl, Henry Wadsworth Longfellow's Evangeline, and Robert Louis Stevenson's A Child's Garden of Verses.
>>>PUT SHARE BUTTONS HERE<<<
👉 Jessie Willcox Smith in the context of Illustration
An illustration is a decoration, interpretation, or visual explanation of a text, concept, or process, designed for integration in print and digitally published media, such as posters, flyers, magazines, books, teaching materials, animations, video games and films. An illustration is typically created by an illustrator. Digital illustrations are often used to make websites and apps more user-friendly, such as the use of emojis to accompany digital type. Illustration also means providing an example; either in writing or in picture form.
The origin of the word "illustration" is late Middle English (in the sense ‘illumination; spiritual or intellectual enlightenment’): via Old French from Latin illustratio(n-), from the verb illustrare.
- ⭐ Core Definition: Jessie Willcox Smith
- 👉 Jessie Willcox Smith in the context of Illustration
- Jessie Willcox Smith in the context of Big Bad Wolf
- Jessie Willcox Smith in the context of Children's literature
- Jessie Willcox Smith in the context of Howard Pyle
- Jessie Willcox Smith in the context of The Princess and the Goblin
Jessie Willcox Smith in the context of Big Bad Wolf
The Big Bad Wolf is a fictional wolf appearing in several cautionary tales, including some of Grimms' Fairy Tales. Versions of this character have appeared in numerous works, and it has become a generic archetype of a menacing predatory antagonist.
Jessie Willcox Smith in the context of Children's literature
Children's literature or juvenile literature includes stories, books, magazines, and poems that are created for children. In addition to conventional literary genres, modern children's literature is classified by the intended age of the reader, ranging from picture books for the very young to young adult fiction for those nearing maturity.
Children's literature can be traced to traditional stories like fairy tales, which have only been identified as children's literature since the eighteenth century, and songs, part of a wider oral tradition, which adults shared with children before publishing existed. The development of early children's literature, before printing was invented, is difficult to trace. Even after printing became widespread, many classic "children's" tales were originally created for adults and later adapted for a younger audience. Since the fifteenth century much literature has been aimed specifically at children, often with a moral or religious message. Children's literature has been shaped by religious sources, like Puritan traditions, or by more philosophical and scientific standpoints with the influences of Charles Darwin and John Locke. The late nineteenth and early twentieth centuries are known as the "Golden Age of Children's Literature" because many classic children's books were published then.
Jessie Willcox Smith in the context of Howard Pyle
Howard Pyle (March 5, 1853 – November 9, 1911) was an American illustrator, painter, and author, primarily of books for young people. He was a native of Wilmington, Delaware, and he spent the last year of his life in Florence, Italy.
In 1894, he began teaching illustration at the Drexel Institute of Art, Science, and Industry (now Drexel University). Among his students there were Violet Oakley, Maxfield Parrish, and Jessie Willcox Smith. After 1900, he founded his own school of art and illustration named the Howard Pyle School of Illustration Art. Scholar Henry C. Pitz later used the term Brandywine School for the illustration artists and Wyeth family artists of the Brandywine region, several of whom had studied with Pyle. He had a lasting influence on a number of artists who became notable in their own right; N. C. Wyeth, Frank Schoonover, Thornton Oakley, Allen Tupper True, Stanley Arthurs, and numerous others studied under him.
Jessie Willcox Smith in the context of The Princess and the Goblin
The Princess and the Goblin is a children's fantasy novel by George MacDonald. It was published in 1872 by Strahan & Co., with black-and-white illustrations by Arthur Hughes. Strahan had published the story and illustrations as a serial in the monthly magazine Good Words for the Young, beginning November 1870.
Anne Thaxter Eaton writes in A Critical History of Children's Literature that The Princess and the Goblin and its sequel both "quietly suggest in every incident ideas of courage and honor". Jeffrey Holdaway, in the New Zealand Art Monthly, said that both books start out as "normal fairytales, but slowly become stranger", and that they contain layers of symbolism similar to that of Lewis Carroll's work.