Österreichische Galerie Belvedere in the context of "Belvedere, Vienna"

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⭐ Core Definition: Österreichische Galerie Belvedere

The Österreichische Galerie Belvedere is a museum housed in the Belvedere palace, in Vienna, Austria.

The Belvedere palaces were the summer residence of Prince Eugene of Savoy (1663–1736). The ensemble was built in the early eighteenth century by the famous Baroque architect Johann Lucas von Hildebrandt, and comprises the Upper and Lower Belvedere, with the Orangery and Palace Stables, as well as extensive gardens.

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👉 Österreichische Galerie Belvedere in the context of Belvedere, Vienna

The Belvedere is a historic building complex in Vienna, Austria consisting of two Baroque palaces (the Upper and Lower Belvedere), the Orangery, and the Palace Stables. The buildings are set in a Baroque park landscape in the third district of the city, on the south-eastern edge of its centre. It currently houses the Belvedere museum known in German as the Österreichische Galerie Belvedere (in English, referred to both as the Belvedere Museum and Austrian Gallery). The grounds are set on a gentle gradient and include decorative tiered fountains and cascades, Baroque sculptures, and majestic wrought iron gates. The Baroque palace complex was built as a summer residence for Prince Eugene of Savoy.

The Belvedere was built during a period of extensive construction in Vienna, which at the time was both the imperial capital and home to the ruling Habsburg dynasty. This period of prosperity followed on from the commander-in-chief Prince Eugene of Savoy's successful conclusion of a series of wars against the Ottoman Empire.

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Österreichische Galerie Belvedere in the context of Ernst Klimt

Ernst Klimt (3 January 1864 in Vienna – 9 December 1892 in Vienna) was an Austrian history painter and decorative painter. He was a younger brother of the better-known artist Gustav Klimt.

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Österreichische Galerie Belvedere in the context of Nazarene movement

The epithet Nazarene was adopted by a group of early 19th-century German Romantic painters who aimed to revive spirituality in art. The name Nazarene came from a term of derision used against them for their affectation of a biblical manner of clothing and hair style.

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Österreichische Galerie Belvedere in the context of The Kiss (Klimt)

The Kiss (German: Der Kuss) is an oil-on-canvas painting with added gold leaf, silver and platinum by the Austrian Symbolist painter Gustav Klimt. It was painted at some point in 1907 and 1908, during the height of what scholars call his "Golden Period". It was exhibited in 1908 under the title Liebespaar (the lovers) as stated in the catalogue of the exhibition. The painting depicts a couple embracing each other, their bodies entwined in elaborate robes decorated in a style influenced by the contemporary Art Nouveau style and the organic forms of the earlier Arts and Crafts movement.

The painting now hangs in the Österreichische Galerie Belvedere museum in the Upper Belvedere Palace in Vienna, and is considered a masterpiece of Vienna Secession – the local variation of Art Nouveau – and probably Klimt's most important work.

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Österreichische Galerie Belvedere in the context of Portrait of Adele Bloch-Bauer I

Portrait of Adele Bloch-Bauer I (also called The Lady in Gold or The Woman in Gold) is an oil painting on canvas, with gold leaf, by Gustav Klimt, completed between 1903 and 1907. The portrait was commissioned by the sitter's husband, Ferdinand Bloch-Bauer, a Viennese and Jewish banker and sugar producer. The painting was stolen by the Nazis in 1941 and displayed at the Österreichische Galerie Belvedere. The portrait is the final and most fully representative work of Klimt's golden phase. It was the first of two depictions of Adele by Klimt—the second was completed in 1912; these were two of several works by the artist that the family owned.

Adele died in 1925; her will asked that the artworks by Klimt be eventually left to the Galerie Belvedere, although these works belonged to Ferdinand, not her. Following the Anschluss of Austria by Nazi Germany, and due to the Nazi persecution of Jews, Ferdinand fled Vienna, and made his way to Switzerland, leaving behind much of his wealth, including his large art collection. The painting was stolen by the Nazis in 1941, along with the remainder of Ferdinand's assets, after a false charge of tax evasion was made against him. The lawyer acting on behalf of the German state gave the portrait to the Galerie Belvedere, claiming he was following the wishes Adele had made in her will. Ferdinand died in 1945; his will stated that his estate should go to his nephew and two nieces.

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