Étienne Carjat (French pronunciation: [etjɛn kaʁʒa]; 28 March 1828 – 8 March 1906) was a French journalist, caricaturist and photographer. He co-founded the magazine Le Diogène, and founded the review Le Boulevard. He is best known for his numerous portraits and caricatures of political, literary and artistic Parisian figures. His best-known work is the iconic portrait of Arthur Rimbaud which he took in October 1871. The location of much of his photography is untraceable after being sold to a Mr. Roth in 1923.
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👉 Étienne Carjat in the context of Georges Bizet
Georges Bizet (né Alexandre César Léopold Bizet; 25 October 1838 – 3 June 1875) was a French composer of the Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire.
During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he began many theatrical projects during the 1860s, most of which were abandoned. Neither of his two operas that reached the stage in this time—Les pêcheurs de perles and La jolie fille de Perth—were immediately successful.
In this Dossier
- ⭐ Core Definition: Étienne Carjat
- 👉 Étienne Carjat in the context of Georges Bizet
- Étienne Carjat in the context of Thomas Couture
- Étienne Carjat in the context of Philippe Burty
- Étienne Carjat in the context of Hélène Bertaux
- Étienne Carjat in the context of Le Boulevard (Paris)
Étienne Carjat in the context of Thomas Couture
Thomas Couture (French pronunciation: [tɔma kutyʁ]; 21 December 1815 – 30 March 1879) was a French history painter and teacher. He taught many notable contemporary figures of the art world, such as Édouard Manet, Henri Fantin-Latour, John La Farge, Pierre Puvis de Chavannes, John Ward Dunsmore, Karel Javůrek, William Morris Hunt, and Joseph-Noël Sylvestre.
View the full Wikipedia page for Thomas CoutureÉtienne Carjat in the context of Philippe Burty
Philippe Burty (6 February 1830 – 3 June 1890) was a French art critic. He contributed to the popularization of Japonism and the etching revival, supported the Impressionists, and published the letters of Eugène Delacroix.
Burty was born in Paris in 1830. He was best known for his art criticism, and was also an informed art collector, artist, and lithographer. He contributed to the art magazine Gazette des Beaux-Arts since its foundation in 1859, in which he chronicled the arts and other curiosities and shared his tastes in prints and etchings.
View the full Wikipedia page for Philippe BurtyÉtienne Carjat in the context of Hélène Bertaux
Hélène Bertaux (French pronunciation: [elɛn bɛʁto] ), born Joséphine Charlotte Hélène Pilate (4 July 1825 – 20 April 1909) was a French sculptor and women's rights advocate.
View the full Wikipedia page for Hélène BertauxÉtienne Carjat in the context of Le Boulevard (Paris)
Le Boulevard was a weekly magazine published in Paris from 1861 to 1863.
It was founded and directed by Étienne Carjat and its first issue came out on December 1, 1861. Each issue included a Parisian column, a serialized story, and musical and gossip columns. It was printed on 8 large folio pages, 43–49 cm high, illustrated with two portraits. The editor was Alphonse de Launay.
View the full Wikipedia page for Le Boulevard (Paris)