École de Nancy, or the Nancy School, was a group of Art Nouveau artisans and designers working in Nancy, France between 1890 and 1914. Major figures included the furniture designer Louis Majorelle, ebonist and glass artist Jacques Grüber, the glass and furniture designer Émile Gallé, and the crystal manufactory of Daum. Their work was largely inspired by floral and vegetal forms found in the region. The goal of the group was to produce in series ordinary objects, such as furniture, glassware, and pottery, with fine craftsmanship and in original forms, making art objects available for people's homes.
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👉 École de Nancy in the context of Louis Majorelle
Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, (26 September 1859 – 15 January 1926) was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy.
Louis Majorelle is one of those who contributed the most to the transformation of furniture. Thanks to posterity, we recognize today a piece of furniture from him as we recognize a piece of furniture from André Charles Boulle and Charles Cressent, the French Prince regent's favorite artists. During the early 18th century, Cressent replaced the magnificence of ebony and tortoiseshell associated with tin and copper by the softer harmonies of foreign woods. Like him, Louis Majorelle dressed the elegant structure of Art Nouveau furniture with exotic wood inlays.
In this Dossier
- ⭐ Core Definition: École de Nancy
- 👉 École de Nancy in the context of Louis Majorelle
- École de Nancy in the context of Eugène Viollet-le-Duc
- École de Nancy in the context of Émile Gallé
- École de Nancy in the context of Eugene Viollet-le-Duc
École de Nancy in the context of Eugène Viollet-le-Duc
Eugène Emmanuel Viollet-le-Duc (French: [øʒɛn vjɔlɛ lə dyk]; 27 January 1814 – 17 September 1879) was a French architect and author, famous for his restoration of the most prominent medieval landmarks in France. His major restoration projects included Notre-Dame de Paris, the Basilica of Saint Denis, Mont Saint-Michel, Sainte-Chapelle, the medieval walls of the city of Carcassonne, and Château de Roquetaillade in the Bordeaux region.
His writings on decoration and on the relationship between form and function in architecture had a fundamental influence on a whole new generation of architects, including all the major Art Nouveau artists: Antoni Gaudí, Victor Horta, Hector Guimard, Henry van de Velde, Henri Sauvage and the École de Nancy, Paul Hankar, Otto Wagner, Eugène Grasset, Émile Gallé, and Hendrik Petrus Berlage. He also influenced the first modern architects, Frank Lloyd Wright, Mies van der Rohe, Auguste Perret, Louis Sullivan, and Le Corbusier, who considered Viollet-le-Duc as the father of modern architecture. English architect William Burges claimed that "We all cribbed on Viollet-le-Duc even though no one could read French".
View the full Wikipedia page for Eugène Viollet-le-DucÉcole de Nancy in the context of Émile Gallé
Émile Gallé (French pronunciation: [emil ɡale]; 4 May 1846 in Nancy – 23 September 1904 in Nancy) was a French artist and designer who worked in glass, and is considered to be one of the major innovators in the French Art Nouveau movement. He was noted for his designs of Art Nouveau glass art and Art Nouveau furniture, and was a founder of the École de Nancy or Nancy School, a movement of design in the city of Nancy, France.
View the full Wikipedia page for Émile GalléÉcole de Nancy in the context of Eugene Viollet-le-Duc
Eugène Emmanuel Viollet-le-Duc (French: [øʒɛn vjɔlɛ lə dyk]; 27 January 1814 – 17 September 1879) was a French architect and author, famous for his restoration of the most prominent medieval landmarks in France. His major restoration projects included Notre-Dame de Paris, the Basilica of Saint Denis, Mont Saint-Michel, Sainte-Chapelle, the medieval walls of the city of Carcassonne, and Château de Roquetaillade in the Bordeaux region.
His writings on decoration and on the relationship between form and function in architecture had a fundamental influence on a whole new generation of architects, including all the major Art Nouveau artists: Antoni Gaudí, Victor Horta, Hector Guimard, Henry van de Velde, Henri Sauvage and the École de Nancy, Paul Hankar, Otto Wagner, Eugène Grasset, Émile Gallé, and Hendrik Petrus Berlage. He also influenced the first modern architects, Frank Lloyd Wright, Mies van der Rohe, Auguste Perret, Louis Sullivan, and Le Corbusier, who considered Viollet-le-Duc as the father of modern architecture. English architect William Burges claimed that "We all crib from Viollet-le-Duc, although probably not one buyer in ten reads the text".
View the full Wikipedia page for Eugene Viollet-le-Duc