Zarzuela in the context of "Operetta"

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⭐ Core Definition: Zarzuela

Zarzuela (Spanish pronunciation: [θaɾˈθwela]) is a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular songs, as well as dance. The etymology of the name is uncertain, but some propose it may derive from the name of a royal hunting lodge, the Palace of Zarzuela, near Madrid, where that type of entertainment was allegedly first presented to the court. The palace in turn was named after the brambles (zarzas) that grew there.

There are two main forms of zarzuela: Baroque zarzuela (c. 1630 – c. 1750), the earliest style, and Romantic zarzuela (c. 1850 – c. 1950). Romantic zarzuelas can be further divided into two main subgenres, género grande and género chico, although other sub-divisions exist.

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👉 Zarzuela in the context of Operetta

Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs and including dances. It is lighter than opera in terms of its music, orchestral size, and length of the work. Apart from its shorter length, the operetta is usually of a light and amusing character. The subject matter may portray "lovers' spats, mistaken identities, sudden reversals of fortune, and glittering parties". It sometimes also includes satirical commentaries.

"Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta provides an alternative to operatic performances in an accessible form targeting a different audience. Operetta became a recognizable form in the mid-19th century in France, and its popularity led to the development of many national styles of operetta. Distinctive styles emerged across countries including Austria-Hungary, Germany, England, Spain, the Philippines, Mexico, Cuba, and the United States. Through the transfer of operetta among different countries, cultural cosmopolitanism emerged in the previous century. Operetta as a genre lost favor in the 1930s and gave way to modern musical theatre. Important operetta composers include Johann Strauss, Jacques Offenbach, Franz Lehár, and Francisco Alonso.

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Zarzuela in the context of Rita Montaner

Rita Aurelia Fulcida Montaner y Facenda (20 August 1900 – 17 April 1958), known as Rita Montaner, was a Cuban singer, pianist and actress. In Cuban parlance, she was a vedette (a star), and was well known in Mexico City, Paris, Miami and New York, where she performed, filmed and recorded on numerous occasions. She was one of Cuba's most popular artists between the late 1920s and 1950s, renowned as Rita de Cuba. Though classically trained as a soprano for zarzuelas, her mark was made as a singer of Afro-Cuban salon songs including "The Peanut Vendor" and "Siboney".

Throughout her career, Montaner kept a close personal and professional relationship with two famous musicians from her hometown of Guanabacoa: pianist-singer Bola de Nieve and composer Ernesto Lecuona.

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