Yoruba art in the context of "African art"

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⭐ Core Definition: Yoruba art

The Yoruba of West Africa (Benin, Nigeria and Togo) are responsible for a distinct artistic tradition in Africa, a tradition that remains vital and influential today.

Much of the art of the Yoruba, including staffs, court dress, and beadwork for crowns, is associated with the royal courts. The courts also commissioned numerous architectural objects such as veranda posts, gates, and doors that are embellished with carvings. Other Yoruba art is related shrines and masking traditions. The Yoruba worship a large pantheon of deities, and shrines dedicated to these gods are adorned with carvings and house an array of altar figures and other ritual paraphernalia. Masking traditions vary regionally, and a wide range of mask types are employed in various festivals and celebrations.

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Yoruba art in the context of Indirect rule

Indirect rule was a system of governance used by imperial powers to control parts of their empires. This was particularly used by colonial empires like the British Empire to control their possessions in Africa and Asia, which was done through pre-existing indigenous power structures. Indirect rule was used by various colonial rulers such as: the French in Algeria and Tunisia, the Dutch in the East Indies, the Portuguese in Angola and Mozambique and the Belgians in Rwanda and Burundi. These dependencies were often called "protectorates" or "trucial states".

Through this system, the day-to-day government and administration of both small and large areas were left in the hands of traditional rulers, who gained prestige and the stability and protection afforded by the Pax Britannica (in the case of British territories). Consequentially done at the cost of losing control of their external affairs, and often of taxation, communications, and other matters. It was usually carried out with a small number of European "advisors" effectively overseeing the government of large numbers of people spread over extensive areas.

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