Yo-Yo Ma in the context of Tango


Yo-Yo Ma in the context of Tango

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⭐ Core Definition: Yo-Yo Ma

Yo-Yo Ma (born October 7, 1955) is an American cellist. Born to Chinese parents in Paris, he was regarded as a child prodigy, and began to study the cello with his father at age four. At the age of seven, Ma moved with his family to Boston and later to New York City, where he continued his cello studies at the Juilliard School before pursuing a liberal arts education at Harvard University. He has performed as a soloist with orchestras around the world, recorded more than 92 albums, and received 19 Grammy Awards.

In addition to recordings of the standard classical repertoire, Ma has recorded a wide variety of folk music, such as American bluegrass music, traditional Chinese melodies, the tangos of Argentine composer Astor Piazzolla, and Brazilian music. He has also collaborated with artists from a diverse range of genres, including Bobby McFerrin, Carlos Santana, Chris Botti, Diana Krall, James Taylor, Miley Cyrus, Zakir Hussain, and Sting.

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Yo-Yo Ma in the context of Bobby McFerrin

Robert Keith McFerrin Jr. (born March 11, 1950) is an American singer, songwriter, and conductor. His vocal techniques include singing fluidly but with quick and considerable jumps in pitch—for example, sustaining a melody while also rapidly alternating with arpeggios and harmonies—as well as scat singing, polyphonic overtone singing, and improvisational vocal percussion. He performs and records regularly as an unaccompanied solo vocal artist. He has frequently collaborated with other artists from both the jazz and classical scenes.

McFerrin's song "Don't Worry, Be Happy" is the only acapella track to ever reach No. 1 in the US, which it reached in 1988 and additionally won Song of the Year and Record of the Year honors at the 1989 Grammy Awards. McFerrin has also worked in collaboration with jazz fusion instrumentalists including pianists Chick Corea (of Return to Forever), Herbie Hancock (of The Headhunters), and Joe Zawinul (of Weather Report), drummer Tony Williams, and cellist Yo-Yo Ma.

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Yo-Yo Ma in the context of Cello Concerto No. 1 (Saint-Saëns)

Camille Saint-Saëns composed his Cello Concerto No. 1 in A minor, Op. 33, in 1872, when he was 37 years old. He wrote this work for the French cellist, viola da gamba player and instrument maker Auguste Tolbecque. Tolbecque was part of a distinguished family of musicians closely associated with the Société des Concerts du Conservatoire, France's leading concert society. The concerto was first performed on January 19, 1873, at the Paris Conservatoire concert with Tolbecque as soloist. This was considered a mark of Saint-Saëns' growing acceptance by the French musical establishment.

Sir Donald Francis Tovey later wrote "Here, for once, is a violoncello concerto in which the solo instrument displays every register without the slightest difficulty in penetrating the orchestra." Many composers, including Shostakovich and Rachmaninoff, considered this concerto to be the greatest of all cello concertos. Yo-Yo Ma's recording of five "Great Cello Concertos" includes Dvořák's, Elgar's, Haydn's 2nd, Saint-Saëns' first, and Schumann's.

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