Yahya ibn Mahmud al-Wasiti (Arabic: يحيى بن محمود الواسطي) was a 13th-century Iraqi-Arab painter and calligrapher, noted for being the scribe and illustrator of al-Hariri's Maqamat dated 1237 CE (Bibliothèque Nationale de France, Arabe 5847).
Yahya ibn Mahmud al-Wasiti (Arabic: يحيى بن محمود الواسطي) was a 13th-century Iraqi-Arab painter and calligrapher, noted for being the scribe and illustrator of al-Hariri's Maqamat dated 1237 CE (Bibliothèque Nationale de France, Arabe 5847).
In Islam, the Ulama (US: /ˈuːləmɑː/ OO-lə-mah; also spelt ulema; Arabic: علماء, romanized: ʿulamāʾ, lit. 'the learned ones'; singular عالم, ʿālim), also known as Shuyukh or Mawlawi, are scholars and judges of Islamic doctrine and law. They are considered the guardians, transmitters, interpreters and legislators of religious knowledge in Islam.
"Ulama" may refer broadly to the educated class of such religious scholars, including theologians, canon lawyers (muftis), judges (qadis), professors, and high state religious officials. Alternatively, "ulama" may refer specifically to those holding governmental positions in an Islamic state.
In Islam, the ulama (US: /ˈuːləmɑː/ OO-lə-mah; also spelled ulema; Arabic: علماء, romanized: ʿulamāʾ, lit. 'the learned ones'; singular عالم, ʿālim; feminine singular عالمة, ʿālimah, plural عالمات, ʿālimāt) are scholars of Islamic doctrine and law. They are considered the guardians, transmitters, and interpreters of religious knowledge in Islam.
"Ulama" may refer broadly to the educated class of such religious scholars, including theologians, canon lawyers (muftis), judges (qadis), professors, and high state religious officials. Alternatively, "ulama" may refer specifically to those holding governmental positions in an Islamic state.
View the full Wikipedia page for UlamaArabic miniatures (Arabic: ٱلْمُنَمْنَمَات ٱلْعَرَبِيَّة, Al-Munamnamāt al-ʿArabīyyah) are small paintings on paper, usually book or manuscript illustrations but also sometimes separate artworks that occupy entire pages. The earliest example dates from around 690 AD, with a flourishing of the art from between 1000 and 1200 AD in the Abbasid caliphate. The art form went through several stages of evolution while witnessing the fall and rise of several Islamic caliphates. Arab miniaturists absorbed Chinese and Persian influences brought by the Mongol destructions, and at last, got totally assimilated and subsequently disappeared due to the Ottoman occupation of the Arab world. Nearly all forms of Islamic miniatures (Persian miniatures, Ottoman miniatures and Mughal miniatures) owe their existences to Arabic miniatures, as Arab patrons were the first to demand the production of illuminated manuscripts in the Caliphate, it wasn't until the 14th century that the artistic skill reached the non-Arab regions of the Caliphate.
Despite the considerable changes in Arabic miniature style and technique, even during their last decades, the early Umayyad Arab influence could still be noticed. Arabic miniature artists include Ismail al-Jazari, who illustrated his own Book of Knowledge of Ingenious Mechanical Devices, and the Abbasid artist, Yahya Al-Wasiti, who probably lived in Baghdad in the late Abbasid era (12th to 13th-centuries), was one of the pre-eminent exponents of the Baghdad school. In 1236-1237, he is known to have transcribed and illustrated the book, Maqamat (also known as the Assemblies or the Sessions), a series of anecdotes of social satire written by Al-Hariri of Basra. The narrative concerns the travels of a middle-aged man as he uses his charm and eloquence to swindle his way across the Arabic world.
View the full Wikipedia page for Arabic miniature