X-Men (film series) in the context of "Marvel Comics"

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⭐ Core Definition: X-Men (film series)

X-Men is an American superhero film series based on the Marvel Comics superhero team of the same name. It was produced by 20th Century Fox and Marvel Entertainment from 2000 to 2020.

Fox obtained the film rights to the team and other related characters in 1994 for $2.6 million. They first produced the X-Men film trilogy consisting of X-Men (2000), X2 (2003), and X-Men: The Last Stand (2006). After each film outgrossed its predecessor, further films were released, set in the same shared universe. These included three spin-off films centered around Wolverine (X-Men Origins: Wolverine in 2009, The Wolverine in 2013, and Logan in 2017), two films centered around Deadpool (Deadpool in 2016 and Deadpool 2 in 2018), and the spin-off The New Mutants (2020). A prequel series to the original trilogy began with X-Men: First Class (2011), and was followed by X-Men: Days of Future Past (2014), which also served as a sequel to X-Men: The Last Stand and a soft reboot for the series as a whole; the prequel series continued with X-Men: Apocalypse (2016) and Dark Phoenix (2019). In addition to the thirteen films, four of the films received a total of five additional cuts, and two television series – Legion (2017–2019) and The Gifted (2017–2019) – were released.

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X-Men (film series) in the context of Rose Byrne

Mary Rose Byrne (born 24 July 1979) is an Australian actress. She is known for her roles in films such as Star Wars: Episode II – Attack of the Clones (2002), Troy (2004), 28 Weeks Later (2007), Bridesmaids (2011), and the X-Men films (2011–2016). Her accolades include two AACTA Awards, a Silver Bear and a Volpi Cup, in addition to nominations for two Primetime Emmy Awards and two Golden Globe Awards.

Byrne made her screen debut in the film Dallas Doll (1994), and continued to act in Australian film and television throughout the 1990s. She gained her first leading film role in The Goddess of 1967 (2000), which earned her the Volpi Cup for Best Actress.

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X-Men (film series) in the context of List of highest-grossing films

Films generate income from several revenue streams, including theatrical exhibition, home video, television broadcast rights, and merchandising. However, theatrical box-office earnings are the primary metric for trade publications in assessing the success of a film, mostly because of the availability of the data compared to sales figures for home video and broadcast rights, but also because of historical practice. Included on the list are charts of the top box-office earners (ranked by both the nominal and real value of their revenue), a chart of high-grossing films by calendar year, a timeline showing the transition of the highest-grossing film record, and a chart of the highest-grossing film franchises and series. All charts are ranked by international theatrical box-office performance where possible, excluding income derived from home video, broadcasting rights, and merchandise.

Traditionally, war films, musicals, and historical dramas have been the most popular genres, but franchise films have been among the best performers of the 21st century. There is strong interest in the superhero genre, with eleven films in the Marvel Cinematic Universe featuring among the nominal top-earners. The most successful superhero film, Avengers: Endgame, is also the second-highest-grossing film on the nominal earnings chart, and there are four films in total based on the Avengers comic books charting in the top twenty. Other Marvel Comics adaptations have also had success with the Spider-Man and X-Men properties, while films based on Batman and Superman from DC Comics have generally performed well. Star Wars is also represented in the nominal earnings chart with five films, while the Jurassic Park franchise features prominently. Although the nominal earnings chart is dominated by films adapted from pre-existing properties and sequels, it is headed by Avatar, which is an original work. Animated family films have performed consistently well, with Disney films enjoying lucrative re-releases prior to the home-video era. Disney also enjoyed later success with films such as Frozen and its sequel, and The Lion King (along with its computer-animated remake), as well as its Pixar division, of which Inside Out 2, Incredibles 2, and Toy Story 3 and 4 have been the best performers. Beyond Disney and Pixar animation, China's Ne Zha 2 (the highest-grossing animated film), and the Despicable Me and Shrek series have met with the most success.

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X-Men (film series) in the context of Michael Fassbender

Michael Fassbender (German pronunciation: [ˈmɪçaʔeːl ˈfasbɛndɐ]; born 2 April 1977) is a German-Irish actor. His accolades include a win for one Volpi Cup and nominations for two Academy Awards, four British Academy Film Awards and three Golden Globe Awards. In 2020, he was listed at number nine on The Irish Times list of Ireland's greatest film actors.

After studying at the Drama Centre London, Fassbender made his feature film debut in 300 (2006). Early roles include in the HBO miniseries Band of Brothers (2001) and the Sky One fantasy drama Hex (2004–2005). He first came to prominence playing Bobby Sands in the drama Hunger (2008). Subsequent roles include the 2009 films Fish Tank and Inglourious Basterds, and the 2011 films Jane Eyre and A Dangerous Method, and lead roles in the films The Counselor (2013), Frank (2014), and Macbeth (2015). He gained mainstream success for playing Erik Lehnsherr / Magneto in the X-Men series, and David 8 and Walter One in Prometheus (2012), and its sequel, Alien: Covenant (2017).

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X-Men (film series) in the context of James Mangold

James Allen Mangold (born December 16, 1963) is an American film director, producer and screenwriter. Noted for his versatility in tackling a range of genres, Mangold made his debut as a film director with Heavy (1995), and gained recognition for the films Cop Land (1997), Girl, Interrupted (1999), Identity (2003), Walk the Line (2005), 3:10 to Yuma (2007), Knight and Day (2010), and two films in the X-Men franchise with The Wolverine (2013) and Logan (2017), the latter of which earned him a nomination for the Academy Award for Best Adapted Screenplay.

He then directed the sports drama film Ford v Ferrari (2019), which earned him a nomination for the Academy Award for Best Picture, and directed and co-wrote Indiana Jones and the Dial of Destiny (2023), the fifth and final installment in the Indiana Jones series. For the Bob Dylan biopic A Complete Unknown (2024), Mangold was once again nominated for Academy Awards for Best Picture and Best Adapted Screenplay, in addition to his first nomination for Best Director.

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