World's Columbian Exposition in the context of "Daniel Burnham"

The Minnesota State Capitol is the seat of government for the U.S. state of Minnesota, in its capital city of Saint Paul. It houses the Minnesota Senate, Minnesota House of Representatives, the office of the attorney general and the office of the governor. The building also includes a chamber for the Minnesota Supreme Court, although court activities may also take place in the neighboring Minnesota Judicial Center.

There have been three State Capitol buildings. The present building was designed by architect Cass Gilbert and completed in 1905. Its Beaux-Arts/American Renaissance design was influenced by the 1893 World's Columbian Exposition in Chicago, and by McKim, Mead & White's Rhode Island State House. From 2013 to 2017 the building underwent an extensive restoration. This included replacing existing infrastructure; adding new mechanical systems; replacing or repairing tens of thousands of pieces of marble on the exterior; cleaning historic paintings, murals, and sculptures; and adding safety and accessibility features.

The City Beautiful movement is a reform philosophy of North American architecture and urban planning that flourished during the 1890s and 1900s with the intent of introducing beautification and monumental grandeur in cities. It was a part of the progressive social reform movement in North America under the leadership of the upper-middle class, which was concerned with poor living conditions in all major cities. The movement, which was originally associated mainly with Chicago, Cleveland, Detroit, Kansas City and Washington, D.C., promoted beauty not only for its own sake, but also to create moral and civic virtue among urban populations.

Advocates of the philosophy believed that such beautification could promote a harmonious social order that would increase the quality of life, while critics would complain that the movement was overly concerned with aesthetics at the expense of social reform. Jane Jacobs referred to the movement as an "architectural design cult."

Frederick Law Olmsted (April 26, 1822 – August 28, 1903) was an American landscape architect, journalist, social critic, and public administrator. He is considered to be the father of landscape architecture in the United States. Olmsted was famous for co-designing many well-known urban parks with his partner Calvert Vaux, beginning with Central Park in New York City, which led to numerous other urban park designs including Prospect Park in Brooklyn, Cadwalader Park in Trenton, New Jersey, and Forest Park in Portland, Oregon.

Olmsted's projects encompassed comprehensive park systems, planned communities, and institutional campuses across North America. His major works included the country's first coordinated system of public parks and parkways in Buffalo, New York, the Emerald Necklace in Boston, Massachusetts, the Grand Necklace of Parks in Milwaukee, Wisconsin, and parks for the 1893 World's Columbian Exposition in Chicago. He designed one of the first planned communities in the United States, Riverside, Illinois, and created master plans for universities including University of California, Berkeley, Stanford University, and the University of Chicago. Notable individual projects included the Biltmore Estate in Asheville, North Carolina, Mount Royal Park in Montreal, Quebec, and landscape work for the United States Capitol in Washington, D.C.

"The Significance of the Frontier in American History" is a seminal essay by the American historian Frederick Jackson Turner which advanced the Frontier thesis of American history. Turner's thesis had a significant impact on how people in the late 19th and early 20th centuries understood American identity, character, and national growth. It was first presented to a special meeting of the American Historical Association at the World's Columbian Exposition in Chicago, Illinois in 1893, and published later that year first in Proceedings of the State Historical Society of Wisconsin, then in the Annual Report of the American Historical Association. It has been subsequently reprinted and anthologized many times, and was incorporated into Turner's 1920 book, The Frontier in American History, as Chapter I.

The essay summarizes Turner's views on how the idea of the American frontier shaped the American character in terms of democracy and violence. He stresses how the availability of very large amounts of nearly free farmland built agriculture, pulled ambitious families to the western frontier and created an ethos of unlimited opportunity. The frontier helped shape individualism and opposition to governmental control. He argued that the westward migration and the settlement of new frontiers were transformative processes that shaped the idea of American exceptionalism.

The U.S. Pledge of Allegiance is a patriotic recited verse that promises allegiance to the flag of the United States and the republic of the United States. The first version was written in 1885 by Captain George Thatcher Balch, a Union army officer in the Civil War who later wrote a book on how to teach patriotism to children in public schools. In 1892, Francis Bellamy revised Balch's verse as part of a magazine promotion surrounding the World's Columbian Exposition, which celebrated the 400th anniversary of Christopher Columbus' arrival in the Americas.

Bellamy, the circulation manager for The Youth's Companion magazine, helped persuade then-president Benjamin Harrison to institute Columbus Day as a national holiday and lobbied Congress for a national school celebration of the day. The magazine sent leaflets containing part of Bellamy's Pledge of Allegiance to schools across the country and on October 21, 1892, over 10,000 children recited the verse together.

The Art Institute of Chicago Building (initial 1893 main-structure built as the World's Congress Auxiliary Building) houses the Art Institute of Chicago, and is part of the Chicago Landmark Historic Michigan Boulevard District in the Loop community area of Chicago, Illinois. The building is located in Grant Park on the east side of Michigan Avenue, and marks the third address for the Art Institute. The main building was built for the joint purpose of providing an additional facility for the 1893 World's Columbian Exposition, and subsequently the Art Institute. The core of the current complex, located opposite Adams Street, officially opened to the public on December 8, 1893, and was renamed the Allerton Building in 1968.

There have been numerous building additions over the years, as the museum has built over the sunken former Illinois Central line and further into the park. The most recent addition is the Modern Wing funded in part by Pat Ryan. This new building increases gallery space by 33% and accommodates new educational facilities. It opened to the public on May 16, 2009.

Glass fiber (or glass fibre) is a material consisting of numerous extremely fine fibers of glass.

Glassmakers throughout history have experimented with glass fibers, but mass manufacture of glass fiber was only made possible with the invention of finer machine tooling. In 1893, Edward Drummond Libbey exhibited a dress at the World's Columbian Exposition incorporating glass fibers with the diameter and texture of silk fibers. Glass fibers can also occur naturally, as Pele's hair.

The culture of Portugal designates the cultural practices and traditions of the Portuguese people. It is rooted on the interactions between many different civilizations that inhabited the area during the past millennia. From prehistoric cultures, to its Pre-Roman civilizations (such as the Lusitanians, the Gallaeci, the Celtici, and the Cynetes, amongst others), passing through its contacts with the Phoenician-Carthaginian world, the Roman period (see Hispania, Lusitania and Gallaecia), the Germanic invasions of the Suebi, Buri (see Kingdom of the Suebi) and Visigoths (see Visigothic Kingdom), Viking incursions, Sephardic Jewish settlement, and finally, the Moorish Umayyad invasion of Hispania and the subsequent expulsion during the Reconquista, all have influenced the country's culture and history.

The name of Portugal itself reveals much of the country's early history, stemming from the Roman name Portus Cale, a Latin name meaning "Port of Cale" (Cale likely is a word of Celtic origin - Cailleach-Bheur her other name; the Mother goddess of the Celtic people as in Calais, Caledonia, Beira. She was the one who, with a hammer created mountains and valleys; the one who hid in stones and trees - Mother nature), later transformed into Portucale, and finally into Portugal, which emerged as a county of the Kingdom of León (see County of Portugal) and became an independent kingdom in 1139. During the 15th and 16th centuries, Portugal was a major economic, political, and cultural power, its global empire stretching from the Americas, to Africa, and various regions of Asia and Oceania.