Woodland Sketches, Op. 51, is a suite of ten short piano pieces by the American composer Edward MacDowell. It was written during an 1896 stay at MacDowell's summer retreat in Peterborough, New Hampshire, where each piece was inspired by a different aspect of the surrounding nature and landscape. The suite was first published in 1896, with pieces such as "To a Wild Rose" (No. 1) and "To a Water-lily" (No. 6) becoming some of MacDowell's most popular works. While some pieces are notable for their use of impressionistic techniques in depicting the New England wilderness, others are based on elements from Native American and Southern music. Woodland Sketches is considered by critics and historians to contain some of MacDowell's most skillful and distinctive works.
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In this Dossier
- ⭐ Core Definition: Woodland Sketches
- Woodland Sketches in the context of Edward MacDowell
- Woodland Sketches in the context of To a Wild Rose
Woodland Sketches in the context of Edward MacDowell
Edward Alexander MacDowell (December 18, 1860 – January 23, 1908) was an American composer and pianist of the late Romantic period. He was best known for his second piano concerto and his piano suites Woodland Sketches, Sea Pieces and New England Idylls. Woodland Sketches includes his most popular short piece, "To a Wild Rose". In 1904 he was one of the first seven Americans honored by membership in the American Academy of Arts and Letters.
View the full Wikipedia page for Edward MacDowellWoodland Sketches in the context of To a Wild Rose
"To a Wild Rose" is the first piece from Woodland Sketches, Op. 51, by the American composer Edward MacDowell. It was completed in 1896 and first published by Breitkopf and Härtel.
View the full Wikipedia page for To a Wild Rose