Wolfgang Reitherman in the context of "Fantasia (1940 film)"

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⭐ Core Definition: Wolfgang Reitherman

Wolfgang Reitherman (June 26, 1909 – May 22, 1985), also known and sometimes credited as Woolie Reitherman, was a German-American animator, director and producer. As a member of the "Nine Old Men" at Walt Disney Productions, Reitherman was known for his action-oriented animation.

Born in Munich, Reitherman relocated to the United States with his family. He attended Pasadena Junior College and briefly worked as a draftsman for Douglas Aircraft Company. Desiring a career in visual arts, Reitherman studied at the Chouinard Art Institute. On the advice of an art instructor, Reitherman applied as an animator for Walt Disney Productions. Reitherman animated on several Silly Symphonies cartoon shorts. He next animated the Slave in the Magic Mirror in Snow White and the Seven Dwarfs (1937), Monstro in Pinocchio (1940), and the climactic dinosaur fight in Igor Stravinsky's "Rite of Spring" segment of Fantasia (1940).

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Wolfgang Reitherman in the context of Sleeping Beauty (1959 film)

Sleeping Beauty is a 1959 American animated musical fantasy film produced by Walt Disney Productions and released by Buena Vista Film Distribution. Based on Charles Perrault's 1697 fairy tale, the film follows Princess Aurora, who was cursed by the evil fairy Maleficent to die from pricking her finger on the spindle of a spinning wheel on her 16th birthday. She is saved by three good fairies, who alter Aurora's curse so that she falls into a deep sleep and will be awakened by true love's kiss. The production was supervised by Clyde Geronimi, and was directed by Wolfgang Reitherman, Eric Larson, and Les Clark. It features the voices of Mary Costa, Bill Shirley, Eleanor Audley, Verna Felton, Barbara Luddy, Barbara Jo Allen, Taylor Holmes, and Bill Thompson.

Sleeping Beauty began development in 1950. The film took nearly a decade and $6 million (equivalent to $64,719,178 in 2024) to produce, and was Disney's most expensive animated feature at the time. Its tapestry-like art style was devised by Eyvind Earle, who was inspired by pre-Renaissance European art; its score and songs, composed by George Bruns, were based on Pyotr Tchaikovsky's 1889 ballet. Sleeping Beauty was the first animated film to use the Super Technirama 70 widescreen process and was the second full-length animated feature filmed in anamorphic widescreen, following Lady and the Tramp (1955).

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