Wodan in the context of "Ask and Embla"

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⭐ Core Definition: Wodan

Odin (/ˈdɪn/; from Old Norse: Óðinn) is a widely revered god in Norse mythology and Germanic paganism. Most surviving information on Odin comes from Norse mythology, but he figures prominently in the recorded history of Northern Europe. This includes the Roman Empire's partial occupation of Germania (c. 2 BCE), the Migration Period (4th–6th centuries CE) and the Viking Age (8th–11th centuries CE). Consequently, Odin has hundreds of names and titles. Several of these stem from the reconstructed Proto-Germanic theonym Wōðanaz, meaning "lord of frenzy" or "leader of the possessed", which may relate to the god's strong association with poetry.

Most mythological stories about Odin survive from the 13th-century Prose Edda and an earlier collection of Old Norse poems, the Poetic Edda, along with other Old Norse items like Ynglinga saga. The Prose Edda and other sources depict Odin as the head of the pantheon, sometimes called the Æsir, and bearing a spear and a ring. Wider sources depict Odin as the son of Bestla and Borr; brother to Vili and Vé; and husband to the goddess Frigg, with whom he fathered Baldr. Odin has many other sons, including Thor, whom he sired with the earth-goddess Jörð. He is sometimes accompanied by animal familiars, such as the ravens Huginn and Muninn and the wolves Geri and Freki. The Prose Edda describes Odin and his brothers' creation of the world through slaying the primordial being Ymir, and his giving of life to the first humans. Odin is often referred to as long-bearded, sometimes as an old man, and also as possessing only one eye, having sacrificed the other for wisdom.

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Wodan in the context of Victory

The term victory (from Latin: victoria) originally applied to warfare, and denotes success achieved in personal combat, after military operations in general or, by extension, in any competition. Success in a military campaign constitutes a strategic victory, while the success in a military engagement is a tactical victory.

In terms of human emotion, victory accompanies strong feelings of elation, and in human behaviour often exhibits movements and poses paralleling threat display preceding the combat, which are associated with the excess endorphin built up preceding and during combat.Victory dances and victory cries similarly parallel war dances and war cries performed before the outbreak of physical violence.Examples of victory behaviour reported in Roman antiquity, where the term victoria originated, include: the victory songs of the Batavi mercenaries serving under Gaius Julius Civilis after the victory over Quintus Petillius Cerialis in the Batavian rebellion of 69 AD (according to Tacitus); and also the "abominable song" to Wodan, sung by the Lombards at their victory celebration in 579. The sacrificial animal was a goat, around whose head the Langobards danced in a circle while singing their victory hymn.The Roman Republic and Empire celebrated victories with triumph ceremonies and with monuments such as victory columns (e.g. Trajan's Column) and arches. A trophy is a token of victory taken from the defeated party, such as the enemy's weapons (spolia), or body parts (as in the case of head hunters).

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