Alternative comedy in the context of "Anti-humor"

⭐ In the context of anti-humor, alternative comedy is considered to be defined by…

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⭐ Core Definition: Alternative comedy

Alternative comedy is a term coined in the 1980s for a style of comedy that makes a conscious break with the mainstream comedic style of an era. The phrase has had different connotations in different contexts: in the UK, it was used to describe content that was an "alternative" to the mainstream stand-up of the day which took place in working men's clubs, and was characterised by unoriginal gags often containing elements of sexism and racism. In other contexts, it is the nature of the form that is "alternative", avoiding reliance on a standardised structure of a sequence of jokes with punch lines. Patton Oswalt has defined it as "comedy where the audience has no pre-set expectations about the crowd, and vice versa. In comedy clubs, there tends to be a certain vibe—alternative comedy explores different types of material."

In an interview with The A.V. Club after his performance in the 2011 comedy-drama film Young Adult, Oswalt stated:

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👉 Alternative comedy in the context of Anti-humor

Anti-humor or anti-comedy is a type of alternative humor that is based on the surprise factor of absence of an expected joke or of a punch line in a narration that is set up as a joke, which in turn can have a humorous effect to some. This kind of anticlimax is similar to that of the shaggy dog story. In fact, some researchers see the "shaggy dog story" as a type of anti-joke. Anti-humor is described as a form of irony or reversal of expectations that may provoke an emotion opposite to humor, such as fear, pain, embarrassment, disgust, awkwardness, or discomfort.

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Alternative comedy in the context of Ben Elton

Benjamin Charles Elton (born 3 May 1959) is a British comedian and writer. He has written and produced for television, radio, films, novels, theatre and musicals, and has performed as a stand-up comedian and on screen. One of the major figures in the alternative comedy movement of the 1980s, he used a style of left-wing political satire in his early stand-up comedy.

He co-wrote the TV sitcoms The Young Ones, Blackadder and Mr. Bean, and was the sole writer for other sitcoms such as Filthy, Rich & Catflap, The Thin Blue Line and Upstart Crow. As of 2025, he has published sixteen novels in dystopian, comedy, and crime genres, and an autobiography. He wrote the stage musicals The Beautiful Game (2000), We Will Rock You (2002), Tonight's the Night (2003), and Love Never Dies (2010).

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