William Kent in the context of "Landscape architect"

The English landscape garden, also called English landscape park or simply the English garden (French: Jardin à l'anglaise, Italian: Giardino all'inglese, German: Englischer Landschaftsgarten, Portuguese: Jardim inglês, Spanish: Jardín inglés), is a style of "landscape" garden which emerged in England in the early 18th century, and spread across Europe, replacing the more formal, symmetrical French formal garden which had emerged in the 17th century as the principal gardening style of Europe. The English garden presented an idealized view of nature. Created and pioneered by William Kent and others, the "informal" garden style originated as a revolt against the architectural garden and drew inspiration from landscape paintings by Salvator Rosa, Claude Lorrain, and Nicolas Poussin, as well as from the classic Chinese gardens of the East, which had recently been described by European travellers and were realized in the Anglo-Chinese garden.

The English garden usually included a lake, sweeps of gently rolling lawns set against groves of trees, and recreations of classical temples, Gothic ruins, bridges, and other picturesque architecture, designed to recreate an idyllic pastoral landscape. The work of Lancelot "Capability" Brown was particularly influential. By the end of the 18th century the English garden was being imitated by the French landscape garden, and as far away as St. Petersburg, Russia, in Pavlovsk, the gardens of the future Emperor Paul. It also had a major influence on the forms of public parks and gardens which appeared around the world in the 19th century. The English landscape garden was usually centred on the English country house, and many examples in the United Kingdom are popular visitor attractions today.

Henry Flitcroft (30 August 1697 – 25 February 1769) was a major English architect in the second generation of Palladianism. He came from a humble background; his father was a labourer in the gardens at Hampton Court. Flitcroft began his career as a joiner. While working as a carpenter at Burlington House, he fell from a scaffold and broke his leg. During his recovery, the young Lord Burlington noticed his talent with a pencil. By 1720, Flitcroft was Burlington's draughtsman and general architectural assistant, surveying at Westminster School for Burlington's dormitory and superintending on site at Tottenham House. Working within Burlington's inner circle, which championed the new Palladian architecture, provided Flitcroft with valuable education.

Flitcroft redrew the plates for publication in The Designs of Mr. Inigo Jones, published by William Kent in 1727 under Burlington's patronage and supervision. In May 1726, Burlington secured his protégé an appointment at the Office of Works, where he advanced from Master Carpenter and Master Mason to Comptroller of the King's Works, a prestigious position. He also received royal commissions for private projects for junior members of the British royal family, notably Prince William, Duke of Cumberland to whom he had been his "architectural tutor". His work for the Duke at Windsor Great Park included collaborating with Thomas Sandby who worked as Flitcroft's assistant when designing Virginia Water Lake's 'Great Bridge'.

Stowe Gardens, formerly Stowe Landscape Gardens, are extensive Grade I listed gardens and parkland in Buckinghamshire, England. Largely created in the 18th century, the gardens at Stowe are arguably the most significant example of the English landscape garden. Designed by Charles Bridgeman, William Kent, and Capability Brown, the gardens changed from a baroque park to a natural landscape garden, commissioned by the estate's owners, in particular by Richard Temple, 1st Viscount Cobham, his nephew Richard Grenville-Temple, 2nd Earl Temple, and his nephew George Nugent-Temple-Grenville, 1st Marquess of Buckingham.

The gardens are notable for the scale, design, size and the number of monuments set across the landscape, as well as for the fact they have been a tourist attraction for over 300 years. Many of the monuments in the property have their own additional Grade I listing along with the park. These include: the Corinthian Arch, the Temple of Venus, the Palladian Bridge, the Gothic Temple, the Temple of Ancient Virtue, the Temple of British Worthies, the Temple of Concord and Victory, the Queen's Temple, Doric Arch, the Oxford Bridge, amongst others.

Lancelot "Capability" Brown (born c. 1715–16, baptised 30 August 1716 – 6 February 1783) was an English gardener and landscape architect, a notable figure in the history of the English landscape garden style.

Unlike other architects including William Kent, he was a hands-on gardener and provided his clients with a full turnkey service, designing the gardens and park, and then managing their landscaping and planting. He is most famous for the landscaped parks of English country houses, many of which have survived reasonably intact. However, he also included in his plans "pleasure gardens" with flower gardens and the new shrubberies, usually placed where they would not obstruct the views across the park of and from the main facades of the house. Few of his plantings of "pleasure gardens" have survived later changes. He also submitted plans for much smaller urban projects, for example the college gardens along The Backs at Cambridge.

Tom Tower is a bell tower in Oxford, England, named after its bell, Great Tom. It stands over Tom Gate, on St Aldates, the main entrance of Christ Church, Oxford, which leads into Tom Quad. This square tower with an octagonal lantern and facetted ogee dome was designed by Christopher Wren and built 1681–82. The strength of Oxford architectural tradition and Christ Church's connection to its founder, Henry VIII, motivated the decision to complete the gatehouse structure, left unfinished by Cardinal Wolsey at the date of his fall from power in 1529, and which had remained roofless since. Wren made a case for working in a Late Gothic style—that it "ought to be Gothick to agree with the Founders worke"—a style that had not been seen in a prominent building for a hundred and fifty years, making Tom Tower a lonely precursor of the Gothic Revival that got underway in the mid-18th century. Wren never came to supervise the structure as it was being erected by the stonemason he had recommended, Christopher Kempster of Burford.

In 1732–34, when William Kent was called upon to make sympathetic reconstruction of the east range of Clock Court in Wolsey's Tudor Hampton Court Palace, he naturally turned to the precedent of Tom Tower for his "central ogee dome with its coronet of pilaster-like gothick finials". The tower of Dunster House at Harvard University is a direct imitation of Tom Tower, though its details have been Georgianised, and stones from Christ Church are installed in one of the house's main entryways.

Palladian architecture is a European architectural style derived from the work of the Venetian architect Andrea Palladio (1508–1580). What is today recognised as Palladian architecture evolved from his concepts of symmetry, perspective and the principles of formal classical architecture from ancient Greek and Roman traditions. In the 17th and 18th centuries, Palladio's interpretation of this classical architecture developed into the style known as Palladianism.

Palladianism emerged in England in the early 17th century, led by Inigo Jones, whose Queen's House at Greenwich has been described as the first English Palladian building. Its development faltered at the onset of the English Civil War. After the Stuart Restoration, the architectural landscape was dominated by the more flamboyant English Baroque. Palladianism returned to fashion after a reaction against the Baroque in the early 18th century, fuelled by the publication of a number of architectural books, including Palladio's own I quattro libri dell'architettura (The Four Books of Architecture) and Colen Campbell's Vitruvius Britannicus. Campbell's book included illustrations of Wanstead House, a building he designed on the outskirts of London and one of the largest and most influential of the early neo-Palladian houses. The movement's resurgence was championed by Richard Boyle, 3rd Earl of Burlington, whose buildings for himself, such as Chiswick House and Burlington House, became celebrated. Burlington sponsored the career of the artist, architect and landscaper William Kent, and their joint creation, Holkham Hall in Norfolk, has been described as "the most splendid Palladian house in England". By the middle of the century Palladianism had become almost the national architectural style, epitomised by Kent's Horse Guards at the centre of the nation's capital.