Western (genre) in the context of "The Colour of Magic"

The Western is a film genre defined by the American Film Institute as films which are "set in the American West that [embody] the spirit, the struggle, and the demise of the new frontier." Generally set in the American frontier between the California Gold Rush of 1849 and the closing of the frontier in 1890, the genre also includes many examples of stories set in locations outside the frontier – including Northern Mexico, the Northwestern United States, Alaska, and Western Canada – as well as stories that take place before 1849 and after 1890. Western films comprise part of the larger Western genre, which encompasses literature, music, television, and plastic arts.

Western films derive from the Wild West shows that began in the 1870s. Originally referred to as "Wild West dramas", the shortened term "Western" came to describe the genre. Although other Western films were made earlier, The Great Train Robbery (1903) is often considered to mark the beginning of the genre. Westerns were a major genre during the silent era (1894–1929) and continued to grow in popularity during the sound era (post–1929).

Clinton Eastwood Jr. (born May 31, 1930) is an American actor and film director. After achieving success in the Western TV series Rawhide, Eastwood rose to international fame with his role as the "Man with No Name" in Sergio Leone's Dollars Trilogy of spaghetti Westerns during the mid-1960s and as antihero cop Harry Callahan in the five Dirty Harry films throughout the 1970s and 1980s. These roles, among others, have made Eastwood an enduring cultural icon of masculinity. Elected in 1986, Eastwood served for two years as the mayor of Carmel-by-the-Sea, California.

Eastwood's greatest commercial successes are the adventure comedy Every Which Way but Loose (1978) and its action comedy sequel Any Which Way You Can (1980). Other popular Eastwood films include the Westerns Hang 'Em High (1968), The Outlaw Josey Wales (1976) and Pale Rider (1985), the action-war film Where Eagles Dare (1968), the prison film Escape from Alcatraz (1979), the war film Heartbreak Ridge (1986), the action film In the Line of Fire (1993), and the romantic drama The Bridges of Madison County (1995). More recent works include Gran Torino (2008), The Mule (2018), and Cry Macho (2021). Since 1967, Eastwood's company Malpaso Productions has produced all but four of his American films.

In the book-trade, genre fiction, also known as formula fiction, or commercial fiction, encompasses fictional works written with the intent of fitting into a specific literary genre in order to appeal to readers and fans already familiar with that genre. These labels commonly imply that this type of fiction places more value on plot and entertainment than on character development, philosophical themes, or artistic depth. This distinguishes genre fiction from literary fiction.

The main genres are crime, fantasy, romance, science fiction and horror—as well as perhaps Western, inspirational and historical fiction.

Kaufman County is a county in the northeastern area of the U.S. state of Texas. As of the 2020 census, its population was 145,310. Its county seat is Kaufman. Both the county, established in 1848, and the city were named for David S. Kaufman, a U.S. Representative and diplomat from Texas. Kaufman County is part of the Dallas-Fort Worth Metroplex. Western artist Frank Reaugh moved from Illinois to Kaufman County in 1876. There he was directly inspired for such paintings as The Approaching Herd (1902).

The Dollars Trilogy (Italian: Trilogia del dollaro), also known as the Man with No Name Trilogy (Italian: Trilogia dell'Uomo senza nome), is an Italian film series consisting of three spaghetti Western films directed by Sergio Leone. The films are titled A Fistful of Dollars (1964), For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966). Their English versions were distributed by United Artists, while the Italian ones were distributed by Unidis and PEA.

The series has become known for establishing the spaghetti western genre, and inspiring the creation of many more spaghetti western films. The three films are consistently listed among the best-rated western films in history.

Pale Rider is a 1985 American Western film produced and directed by Clint Eastwood, who also stars in the lead role. The title is a reference to Death as one of the Four Horsemen of the Apocalypse, described in a literary passage (also spoken in the film's dialogue) as riding a pale horse; in the film, Eastwood rides a pale horse. The film, which took in over $41 million at the box office, became the highest-grossing Western of the 1980s. It is Eastwood's only Western of the 1980s.

The Mark of Zorro is a 1920 American silent Western romance film starring Douglas Fairbanks and Noah Beery. This genre-defining swashbuckler adventure was the first movie version of The Mark of Zorro. Based on the 1919 story The Curse of Capistrano by Johnston McCulley, which introduced the masked hero, Zorro, the screenplay was adapted by Fairbanks (as "Elton Thomas") and Eugene Miller.

The film was produced by Fairbanks for his own production company, Douglas Fairbanks Pictures Corporation, and was the first film released through United Artists, the company formed by Fairbanks, Mary Pickford, Charlie Chaplin, and D. W. Griffith.

Justus D. Barnes (October 2, 1862 – February 6, 1946), named George Barnes in some sources, was an American stage and film actor. He is best known for his role in the 1903 silent short The Great Train Robbery, which the American Film Institute and many film historians and critics recognize as the production that first established both the Western and action genres, setting a new "narrative standard" in the motion picture industry. Kim Newman says it is "probably the first Western film with a storyline".

War film is a film genre concerned with warfare, typically about naval, air, or land battles, with combat scenes central to the drama. It has been strongly associated with the 20th century. The fateful nature of battle scenes means that war films often end with them. Themes explored include combat, survival and escape, camaraderie between soldiers, sacrifice, the futility and inhumanity of battle, the effects of war on society, and the moral and human issues raised by war. War films are often categorized by their milieu, such as the Korean War; the most popular subjects are the Second World War and the American Civil War. The stories told may be fiction, historical drama, or biographical. Critics have noted similarities between the Western and the war film.

Nations such as China, Indonesia, Japan, and Russia have their own traditions of war film, centred on their own revolutionary wars but taking varied forms, from action and historical drama to wartime romance.