Weaving in the context of "Formative stage"

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⭐ Core Definition: Weaving

Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. The longitudinal threads are called the warp and the lateral threads are the weft, woof, or filling. The method in which these threads are interwoven affects the characteristics of the cloth.Cloth is usually woven on a loom, a device that holds warp threads in place while filling threads are woven through them. A fabric band that meets this definition of cloth (warp threads with a weft thread winding between) can also be made using other methods, including tablet weaving, back strap loom, or other techniques that can be done without looms.

The way the warp and filling threads interlace with each other is called the weave. The majority of woven products are created with one of three basic weaves: plain weave, satin weave, or twill weave. Woven cloth can be plain or classic (in one colour or a simple pattern), or can be woven in decorative or artistic design.

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Weaving in the context of Minerva

Minerva (/mɪˈnɜːrvə/; Latin: [mɪˈnɛru̯ä]; Etruscan: Menrva) is the Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy. She is also a goddess of warfare, though with a focus on strategic warfare, rather than the violence of gods such as Mars. Beginning in the second century BC, the Romans equated her with the Greek goddess Athena. Minerva is one of the three Roman deities in the Capitoline Triad, along with Jupiter and Juno.

Minerva is a virgin goddess. Her domain includes music, poetry, medicine, wisdom, commerce, weaving, and the crafts. Minerva is often depicted with her sacred creature, an owl usually named the "owl of Minerva" which symbolised her association with wisdom and knowledge, as well as, less frequently, the snake and the olive tree. Minerva is commonly depicted as tall with an athletic and muscular build. She is often wearing armour and carrying a spear. As an important Roman goddess, she is highly revered, honored, and respected. Marcus Terentius Varro considered her to be ideal and the plan for the universe personified.

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Weaving in the context of Textile

Textile is an umbrella term that includes various fibre-based materials, including fibres, yarns, filaments, threads, and different types of fabric. At first, the word "textiles" only referred to woven fabrics. However, weaving is not the only manufacturing method, and many other methods were later developed to form textile structures based on their intended use. Knitting and non-woven are other popular types of fabric manufacturing. In the contemporary world, textiles satisfy the material needs for versatile applications, from simple daily clothing to bulletproof jackets, spacesuits, and doctor's gowns.

Textiles are divided into two groups: consumer textiles for domestic purposes and technical textiles. In consumer textiles, aesthetics and comfort are the most important factors, while in technical textiles, functional properties are the priority. The durability of textiles is an important property, with common cotton or blend garments (such as t-shirts) able to last twenty years or more with regular use and care.

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Weaving in the context of Goddess

A goddess is a female deity. In some faiths, a sacred female figure holds a central place in religious prayer and worship. For example, Shaktism (one of the three major Hindu sects), holds that the ultimate deity, the source of all reality, is Supreme Goddess (Mahaiia) and in some forms of Tantric Shaivism, the pair of Shiva and Shakti are the ultimate principle (with the goddess representing the active, creative power of God). Meanwhile, in Vajrayana Buddhism, ultimate reality is often seen as being composed of two principles depicted as two deities in union (yab yum, "father-mother") symbolising the non-duality of the two principles of perfect wisdom (female) and skillful compassion (male). A single figure in a monotheistic faith that is female may be identified simply as god because of no need to differentiate by gender or with a diminutive. An experiment to determine the effect of psychedelics on subjects composed of leaders from diverse religious groups revealed a general experience that the divine the subjects encountered was feminine.

Polytheist religions, including Polytheistic reconstructionists, honour multiple goddesses and gods, and usually view them as discrete, separate beings. These deities may be part of a pantheon, or different regions may have tutelary deities. In many known cultures, goddesses are often linked with literal or metaphorical pregnancy or imagined feminine roles associated with how women and girls are perceived or expected to behave. This includes themes of spinning, weaving, beauty, love, sexuality, motherhood, domesticity, creativity, and fertility (exemplified by the ancient mother goddess cult). Many major goddesses are also associated with magic, war, strategy, hunting, farming, wisdom, fate, earth, sky, power, laws, justice, and more. Some themes, such as discord or disease, which are considered negative within their cultural contexts also are found associated with some goddesses. There are as many differently described and understood goddesses as there are male, shapeshifting, devilish, or neuter gods.

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Weaving in the context of Persian art

Persian art or Iranian art (Persian: هنر ایرانی, romanizedHonar-è Irâni) has one of the richest art heritages in world history and has been strong in many media including architecture, painting, weaving, pottery, calligraphy, metalworking and sculpture. At different times, influences from the art of neighbouring civilizations have been very important, and latterly Persian art gave and received major influences as part of the wider styles of Islamic art. This article covers the art of Persia up to 1925, and the end of the Qajar dynasty; for later art see Iranian modern and contemporary art, and for traditional crafts see arts of Iran. Rock art in Iran is its most ancient surviving art. Iranian architecture is covered at that article.

From the Achaemenid Empire of 550 BC–330 BC for most of the time a large Iranian-speaking state has ruled over areas similar to the modern boundaries of Iran, and often much wider areas, sometimes called Greater Iran, where a process of cultural Persianization left enduring results even when rulership separated. The courts of successive dynasties have generally led the style of Persian art, and court-sponsored art has left many of the most impressive survivals.

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Weaving in the context of Yarn

Yarn is a long continuous length of interlocked fibres, used in sewing, crocheting, knitting, weaving, embroidery, ropemaking, and the production of textiles. Thread is a type of yarn intended for sewing by hand or machine. Modern manufactured sewing threads may be finished with wax or other lubricants to withstand the stresses involved in sewing. Embroidery threads are yarns specifically designed for needlework. Yarn can be made of a number of natural or synthetic materials, and comes in a variety of colors and thicknesses (referred to as "weights"). Although yarn may be dyed different colours, most yarns are solid coloured with a uniform hue.

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Weaving in the context of Thread (yarn)

A thread is a long strand of material, often composed of several filaments or fibres, used for joining, creating or decorating textiles. Ancient Egyptians were known for creating thread using plant fibers, wool and hair. Today, thread can also be made of many different materials including but not limited to cotton, wool, flax, nylon, silk, polyester etc. There are also metal threads (sometimes used in decorative textiles), which can be made of fine wire.

Thread is similar to yarn, cord, twine, or string, and there is some overlap between the way these terms are used. However, thread is most often used to mean materials fine and smooth enough for sewing, embroidery, weaving, or making lace or net. Yarn is often used to mean a thicker and softer material, suitable for knitting and crochet. Cords, twines or strings are usually stronger materials, suitable for tying and fastening.

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Weaving in the context of Woven fabric

Woven fabric is any textile formed by weaving. Woven fabrics, often created on a loom, are made of many threads woven in a warp and weft. Technically, a woven fabric is any fabric made by interlacing two or more threads at right angles to one another. Woven fabrics can be made of natural fibers, synthetic fibers, or a mixture of both, such as cotton and polyester. Woven fabrics are used for clothing, garments, decorations, furniture, carpets and other uses.

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Weaving in the context of Nonwoven

Nonwoven fabric or non-woven fabric is a fabric-like material made from staple fibre (short) and long fibres (continuous long), bonded together by chemical, mechanical, heat or solvent treatment. The term is used in the textile manufacturing industry to denote fabrics, such as felt, which are neither woven nor knitted. Some non-woven materials lack sufficient strength unless densified or reinforced by a backing. In recent years, non-wovens have become an alternative to polyurethane foam.

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