Wax sculpture in the context of "King Henry VIII"

Play Trivia Questions online!

or

Skip to study material about Wax sculpture in the context of "King Henry VIII"




⭐ Core Definition: Wax sculpture

A wax sculpture is a depiction made using a waxy substance. Often these are effigies, usually of a notable individual, but there are also death masks and scenes with many figures, mostly in relief.

The properties of beeswax make it an excellent medium for preparing figures and models, either by modeling or by casting in molds. It can easily be cut and shaped at room temperature, melts at a low temperature, mixes with any coloring matter, takes surface tints well, and its texture and consistency may be modified by the addition of earthy matters and oils or fats. When molten, it is highly responsive to impressions from a mold and, once it sets and hardens, its form is relatively resilient against ordinary temperature variations, even when it is cast in thin laminae. These properties have seen wax used for modelling since the Middle Ages and there is testimony for it having been used for making masks (particularly death masks) in ancient Rome. The death masks of illustrious ancestors would be displayed by the elite holding the right of "ius imaginem."

↓ Menu

In this Dossier

Wax sculpture in the context of Four Bandits

The Four Bandits, Four Outlaws or Four Desperados (Chinese: 四大寇) was a nickname given to a 19th-century group of four young revolutionaries: Sun Yat-sen, Yeung Hok-ling, Chan Siu-bak and Yau Lit. While studying in British Hong Kong, they were keen on Chinese politics and aspired to overthrow the Manchu-led Qing dynasty. The quad used to gather at 'Yeung Yiu Kee' (楊耀記), Yeung's family business located at 24 Gough Street in Hong Kong. One of the Four Bandits, Sun Yat-sen, later became the leader of China Revolutionary Alliance and the first Provisional President of the Republic of China. Today, the Dr Sun Yat-sen Museum displays their wax sculptures to commemorate the quad.

↑ Return to Menu