War film in the context of "Saving Private Ryan"

A background actor or extra is a performer in a film, television show, stage, musical, opera, or ballet production who appears in a nonspeaking or nonsinging (silent) capacity, usually in the background (for example, in an audience or busy street scene). War films and epic films often employ background actors in large numbers: some films have featured hundreds or even thousands of paid background actors as cast members (hence the term "cast of thousands"). Likewise, grand opera can involve many background actors appearing in spectacular productions.

On a film or TV set, background actors are usually referred to as "supporting artists", "junior artists", "atmosphere", "background talent", "background performers", "background artists", "background cast members", "talent", "background friends", or simply "background", while the term "extra" is rarely used and is often considered derogatory. In a stage production, background actors are commonly referred to as "supernumeraries". A more archaic theatre term is "sword carriers". In opera and ballet, they are called either "extras" or "supers".

Mediterraneo is a 1991 Italian war comedy-drama film directed by Gabriele Salvatores and written by Enzo Monteleone. The film is set during World War II and concerns a group of Italian soldiers who become stranded on an island of the Italian Dodecanese in the Aegean Sea, and are left behind by the war. It won the Academy Award for Best Foreign Language Film in 1992.

Wolfgang Petersen (14 March 1941 – 12 August 2022) was a German film and television director, screenwriter and producer. His international breakthrough was the war film Das Boot (1981), which earned him Academy Award nominations for Best Director and Best Adapted Screenplay. He subsequently directed the blockbuster fantasy film The NeverEnding Story (1984), based on the 1979 novel of the same name.

After moving to the United States in the mid-1980s, Petersen directed his first American production, the science-fiction film Enemy Mine (1985). He directed a variety of major studio productions through the mid-2000s, including In the Line of Fire (1993), Outbreak (1995), Air Force One (1997), The Perfect Storm (2000), Troy (2004) and Poseidon (2006).

Grace Patricia Kelly (November 12, 1929 – September 14, 1982) was an American actress and Princess of Monaco as the wife of Prince Rainier III from their marriage on April 18, 1956, until her death in 1982. Prior to her marriage, she achieved stardom in several significant Hollywood films in the early to mid-1950s. She received an Academy Award and three Golden Globe Awards, and was ranked 13th on the American Film Institute's 25 Greatest Female Stars list.

Kelly was born into a prominent Catholic family in Philadelphia. After graduating from the American Academy of Dramatic Arts in 1949, she began appearing in New York City theatrical productions and television broadcasts. Kelly made her film debut in Fourteen Hours (1951) and gained stardom from her roles in Fred Zinnemann's western film High Noon (1952), and John Ford's adventure-romance Mogambo (1953), the latter of which earned her the Academy Award for Best Supporting Actress nomination. She won the Academy Award for Best Actress for her performance in the drama The Country Girl (1954). Other notable works include the war film The Bridges at Toko-Ri (1954), the romantic comedy High Society (1956), and three Alfred Hitchcock suspense thrillers: Dial M for Murder (1954), Rear Window (1954), and To Catch a Thief (1955).

Where Eagles Dare is a 1968 action adventure war film directed by Brian G. Hutton and starring Richard Burton, Clint Eastwood and Mary Ure. Set during World War II, it follows a Special Operations Executive team charged with saving a captured American General from the fictional Schloß Adler fortress, except the mission turns out not to be as it seems. It was filmed in Panavision using the Metrocolor process, and was distributed by Metro-Goldwyn-Mayer. Alistair MacLean wrote the screenplay, his first, at the same time that he wrote the novel of the same name. Both became commercial successes.

The film involved some of the top filmmakers of the day and was shot on location in Austria. Hollywood stuntman Yakima Canutt was the second unit director and shot most of the action scenes; British stuntman Alf Joint doubled for Burton in many sequences, including the fight on top of the cable car; award-winning conductor and composer Ron Goodwin wrote the film score; and future Oscar nominee Arthur Ibbetson worked on the cinematography.

Heartbreak Ridge is a 1986 American war film directed, produced by, and starring Clint Eastwood. The film co-stars Marsha Mason, Everett McGill, and Mario Van Peebles, and was released in the United States on December 5, 1986. The story centers on a U.S. Marine nearing retirement who gets a platoon of undisciplined Marines into shape and leads them during the American invasion of Grenada in 1983.

The title comes from the Battle of Heartbreak Ridge in the Korean War, in which Eastwood's character had been awarded the Medal of Honor.

Empire of the Sun is a 1987 American epic coming-of-age war drama film directed by Steven Spielberg and written by Tom Stoppard, based on J. G. Ballard's semi-autobiographical 1984 novel of the same name. The film tells the story of Jamie "Jim" Graham (Christian Bale), a young boy who goes from living with his wealthy British family in Shanghai to becoming a prisoner of war in an internment camp operated by the Japanese during World War II. The film also stars John Malkovich, Miranda Richardson, Nigel Havers, Joe Pantoliano, Masatō Ibu, Leslie Phillips, Ben Stiller, and Robert Stephens.

Harold Becker and David Lean were originally to direct before Spielberg came on board, initially as a producer for Lean. Spielberg was attracted to directing the film because of a personal connection to Lean's films and World War II topics. He considers it to be his most profound work on "the loss of innocence". The film received positive reviews, with praise towards Bale's performance, the cinematography, the visuals, Williams's score and Spielberg's direction. However, the film was not initially a commercial success, earning only $22 million at the US box office, although it eventually more than recouped its budget through revenues in foreign markets, home video, and television.

1917 is a 2019 British war film directed and produced by Sam Mendes, who co-wrote it with Krysty Wilson-Cairns. It is partially inspired by stories told to Mendes by his paternal grandfather Alfred about his service during World War I. The film takes place after the German retreat to the Hindenburg Line during Operation Alberich, and follows two British soldiers in their mission to deliver an important message to call off a doomed offensive attack. The two main roles are played by George MacKay and Dean-Charles Chapman. Mark Strong, Andrew Scott, Richard Madden, Claire Duburcq, Colin Firth, Adrian Scarborough, and Benedict Cumberbatch also star in supporting roles.

The project was announced in June 2018, with MacKay and Chapman signing on in October and the rest of the cast joining the following March. Filming took place from April to June 2019 in the UK, with cinematographer Roger Deakins and editor Lee Smith using long takes to have the entire film appear as two continuous shots.

Films generate income from several revenue streams, including theatrical exhibition, home video, television broadcast rights, and merchandising. However, theatrical box-office earnings are the primary metric for trade publications in assessing the success of a film, mostly because of the availability of the data compared to sales figures for home video and broadcast rights, but also because of historical practice. Included on the list are charts of the top box-office earners (ranked by both the nominal and real value of their revenue), a chart of high-grossing films by calendar year, a timeline showing the transition of the highest-grossing film record, and a chart of the highest-grossing film franchises and series. All charts are ranked by international theatrical box-office performance where possible, excluding income derived from home video, broadcasting rights, and merchandise.

Traditionally, war films, musicals, and historical dramas have been the most popular genres, but franchise films have been among the best performers of the 21st century. There is strong interest in the superhero genre, with eleven films in the Marvel Cinematic Universe featuring among the nominal top-earners. The most successful superhero film, Avengers: Endgame, is also the second-highest-grossing film on the nominal earnings chart, and there are four films in total based on the Avengers comic books charting in the top twenty. Other Marvel Comics adaptations have also had success with the Spider-Man and X-Men properties, while films based on Batman and Superman from DC Comics have generally performed well. Star Wars is also represented in the nominal earnings chart with five films, while the Jurassic Park franchise features prominently. Although the nominal earnings chart is dominated by films adapted from pre-existing properties and sequels, it is headed by Avatar, which is an original work. Animated family films have performed consistently well, with Disney films enjoying lucrative re-releases prior to the home-video era. Disney also enjoyed later success with films such as Frozen and its sequel, and The Lion King (along with its computer-animated remake), as well as its Pixar division, of which Inside Out 2, Incredibles 2, and Toy Story 3 and 4 have been the best performers. Beyond Disney and Pixar animation, China's Ne Zha 2 (the highest-grossing animated film), and the Despicable Me and Shrek series have met with the most success.