In traditional Japanese aesthetics, wabi-sabi (侘び寂び) centers on the acceptance of transience and imperfection. It is often described as the appreciation of beauty that is "imperfect, impermanent, and incomplete". It is prevalent in many forms of Japanese art.
Wabi-sabi combines two interrelated concepts: wabi (侘) and sabi (寂). According to the Stanford Encyclopedia of Philosophy, wabi may be translated as "subdued, austere beauty", and sabi as "rustic patina". Wabi-sabi derives from the Buddhist teaching of the three marks of existence (三法印, sanbōin), which include impermanence (無常, mujō), suffering (苦, ku), and emptiness or absence of self-nature (空, kū).
