W. H. Auden in the context of "Preparatory school (United Kingdom)"

Accentual-syllabic verse is an extension of accentual verse which fixes both the number of stresses and syllables within a line or stanza. Accentual-syllabic verse is highly regular and therefore easily scannable. Usually, either one metrical foot, or a specific pattern of metrical feet, is used throughout the entire poem; thus one can speak about a poem being in, for example, iambic pentameter. Poets naturally vary the rhythm of their lines, using devices such as inversion, elision, masculine and feminine endings, the caesura, using secondary stress, the addition of extra-metrical syllables, or the omission of syllables, the substitution of one foot for another.

Accentual-syllabic verse dominated literary poetry in English from Chaucer's day until the 19th century, when the freer approach to meter championed by poets such as Samuel Taylor Coleridge and Ralph Waldo Emerson and the radically experimental verse of Gerard Manley Hopkins and Walt Whitman began to challenge its dominance. In the early 20th century, accentual-syllabic verse was largely supplanted by free verse in literary poetry through the efforts of Modernists such as Ezra Pound and Amy Lowell. Nonetheless, some poets, such as Robert Frost, W. H. Auden, Keith Douglas, Robert Lowell, Philip Larkin, Howard Nemerov, James Merrill, Derek Walcott, Geoffrey Hill, Seamus Heaney and Derek Mahon continued to work (though not exclusively) in accentual-syllabic meters throughout the century.

Thomas Hardy (2 June 1840 – 11 January 1928) was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, including the poetry of William Wordsworth. He was highly critical of much in Victorian society, especially on the declining status of rural people in Britain such as those from his native South West England.

While Hardy wrote poetry throughout his life and regarded himself primarily as a poet, his first collection was not published until 1898. Initially, he gained fame as the author of novels such as Far from the Madding Crowd (1874), The Mayor of Casterbridge (1886), Tess of the d'Urbervilles (1891) and Jude the Obscure (1895). During his lifetime, Hardy's poetry was acclaimed by younger poets (particularly the Georgians) who viewed him as a mentor. After his death his poems were lauded by Ezra Pound, W. H. Auden and Philip Larkin.

Landscape with the Fall of Icarus is a painting in oil on canvas measuring 73.5 by 112 centimetres (28.9 in × 44.1 in) now in the Oldmasters Museum (part of the Royal Museums of Fine Arts of Belgium) in Brussels. It was long thought to be by the leading painter of Dutch and Flemish Renaissance painting, Pieter Bruegel the Elder. However, following technical examinations in 1996 of the painting hanging in the Brussels museum, that attribution is regarded as very doubtful, and the painting, perhaps painted in the 1560s, is now usually seen as a good early copy by an unknown artist of Bruegel's lost original, perhaps from about 1558. According to the museum: "It is doubtful the execution is by Bruegel the Elder, but the composition can be said with certainty to be his", although recent technical research has re-opened the question.

The painting is Bruegel's only subject taken from classical mythology, and is largely derived from Ovid. It is described in W. H. Auden's famous poem "Musée des Beaux-Arts", then the name of the museum in Brussels which holds the painting, and became the subject of a poem of the same name by William Carlos Williams, as well as "Lines on Bruegel's 'Icarus'" by Michael Hamburger.

Edward Mendelson (born March 15, 1946) is a professor of English and Comparative Literature and the Lionel Trilling Professor in the Humanities at Columbia University. He is the literary executor of the Estate of W. H. Auden and the author or editor of several books about Auden's work, including Early Auden (1981) and Later Auden (1999). He is also the author of The Things That Matter: What Seven Classic Novels Have to Say About the Stages of Life (2006), about nineteenth- and twentieth-century novels, and Moral Agents: Eight Twentieth-Century American Writers (2015).

He has edited standard editions of works by W. H. Auden, including Collected Poems (1976; 2nd edn. 1990; 3rd edn., 2007), The English Auden (1977), Selected Poems (1979, 2nd edn., 2007), As I Walked Out One Evening (selected light verse, 1995), and the continuing Complete Works of W. H. Auden (1986– ).

Philip Arthur Larkin (9 August 1922 – 2 December 1985) was an English poet, novelist, and librarian. His first book of poetry, The North Ship, was published in 1945, followed by two novels, Jill (1946) and A Girl in Winter (1947). He came to prominence in 1955 with the publication of his second collection of poems, The Less Deceived, followed by The Whitsun Weddings (1964) and High Windows (1974). He contributed to The Daily Telegraph as its jazz critic from 1961 to 1971, with his articles gathered in All What Jazz: A Record Diary 1961–71 (1985), and edited The Oxford Book of Twentieth Century English Verse (1973). His many honours include the Queen's Gold Medal for Poetry. He was offered, but declined, the position of Poet Laureate in 1984, following the death of Sir John Betjeman.

After graduating from Oxford University in 1943 with a first in English Language and Literature, Larkin became a librarian. It was during the thirty years he worked with distinction as university librarian at the Brynmor Jones Library at the University of Hull that he produced the greater part of his published work. His poems are marked by what Andrew Motion calls "a very English, glum accuracy" about emotions, places, and relationships, and what Donald Davie described as "lowered sights and diminished expectations". Eric Homberger (echoing Randall Jarrell) called him "the saddest heart in the post-war supermarket"—Larkin himself said that deprivation for him was "what daffodils were for Wordsworth". Influenced by W. H. Auden, W. B. Yeats, and Thomas Hardy, his poems are highly structured but flexible verse forms. They were described by Jean Hartley, the ex-wife of Larkin's publisher George Hartley (the Marvell Press), as a "piquant mixture of lyricism and discontent". Anthologist Keith Tuma writes that there is more to Larkin's work than its reputation for dour pessimism suggests.

Faber and Faber Limited, commonly known as Faber & Faber or simply Faber, is an independent publishing house in London. Published authors and poets include T. S. Eliot (an early Faber editor and director), W. H. Auden, C. S. Lewis, Margaret Storey, William Golding, Samuel Beckett, Philip Larkin, Sylvia Plath, Ted Hughes, Seamus Heaney, Paul Muldoon, Milan Kundera and Kazuo Ishiguro.

Founded in 1929, in 2006 the company was named the KPMG Publisher of the Year.

Gerard Manley Hopkins SJ (28 July 1844 – 8 June 1889) was an English poet and Jesuit priest, whose posthumous fame places him among the leading English poets. His prosody – notably his concept of sprung rhythm – established him as an innovator, as did his praise of God through vivid use of imagery and nature.

Only after his death did Robert Bridges publish a few of Hopkins's mature poems in anthologies, hoping to prepare for wider acceptance of his style. By 1930 Hopkins's work was seen as one of the most original literary advances of his century. It intrigued such leading 20th-century poets as T. S. Eliot, Dylan Thomas, W. H. Auden, Stephen Spender and Cecil Day-Lewis.