W. E. F. Britten in the context of Victorian decorative arts

"Mariana" is a poem by Alfred, Lord Tennyson, published in 1830. The poem follows a common theme in much of Tennyson's work—that of despondent isolation. The subject of "Mariana" is a woman who continuously laments her lack of connection with society. The isolation defines her existence, and her longing for a connection leaves her wishing for death at the end of every stanza. The premise of "Mariana" originates in William Shakespeare's Measure for Measure, but the poem ends before Mariana's lover returns. Tennyson's version was adapted by others, including John Everett Millais and Elizabeth Gaskell, for use in their own works. The poem was well received by critics, and it is described by critics as an example of Tennyson's skill at poetry.

Tennyson wrote "Mariana" in 1830 and printed it within his early collection Poems, Chiefly Lyrical. Previously, he contributed poems to the work Poems by Two Brothers (1827), where his early poems dealing with isolation and memory can be found. The theme was continued in the later collection, with poems like "Mariana", "Ode to Memory", and others representing the earlier poems.

The Lotos-Eaters is a poem by Alfred Tennyson, 1st Baron Tennyson, published in Tennyson's 1832 poetry collection. It was inspired by his trip to Spain with his close friend Arthur Hallam, where they visited the Pyrenees mountains. The poem describes a group of mariners who, upon eating the lotos, are put into an altered state and isolated from the outside world. The title and concept derives from the lotus-eaters in Greek mythology.