Vulgar Latin language in the context of "François Just Marie Raynouard"

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⭐ Core Definition: Vulgar Latin language

Vulgar Latin, also known as Colloquial, Popular, Spoken or Vernacular Latin, is the range of non-formal registers of Latin spoken from the Late Roman Republic onward. Vulgar Latin as a term is both controversial and imprecise. Spoken Latin existed for a long time and in many places. Scholars have differed in opinion as to the extent of the differences, and whether Vulgar Latin was in some sense a different language. This was developed as a theory in the nineteenth century by Raynouard. At its extreme, the theory suggested that the written register formed an elite language distinct from common speech, but this is now rejected.

The current consensus is that the written and spoken languages formed a continuity much as they do in modern languages, with speech tending to evolve faster than the written language, and the written, formalised language exerting pressure back on speech. Vulgar Latin is used in different ways by different scholars, applying it to indicate spoken Latin of differing types, or from different social classes and time periods. Nevertheless, interest in the shifts in the spoken forms remains very important to understand the transition from Latin or Late Latin through to Proto-Romance and Romance languages. To make matters more complicated, evidence for spoken forms can be found only through examination of written Classical Latin, Late Latin, or early Romance, depending on the time period.

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Vulgar Latin language in the context of Refrain

A refrain (from Vulgar Latin: refringere, "to repeat", through Old French: refraindre) is the line or lines that are repeated in poetry or in music—the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina.

In popular music, the refrain or chorus may contrast with the verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played

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