Masterpieces of the Oral and Intangible Heritage of Humanity in the context of "Koodiyattam"

⭐ In the context of Koodiyattam, Masterpieces of the Oral and Intangible Heritage of Humanity is considered…

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⭐ Core Definition: Masterpieces of the Oral and Intangible Heritage of Humanity

The Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity was made by the Director-General of UNESCO starting in 2001 to raise awareness of intangible cultural heritage—such traditions, rituals, dance, and knowledge—and urge the protection of the communities that create them. Several manifestations of intangible heritage around the world were awarded the status of Masterpieces; further proclamations occurred biennially. The status exists to recognize the value of non-material culture, as well as to commit states to promote and safeguard the Masterpieces. In 2008, the 90 declared Masterpieces were incorporated into the new Representative List of the Intangible Cultural Heritage of Humanity as its first entries.

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👉 Masterpieces of the Oral and Intangible Heritage of Humanity in the context of Koodiyattam

Koodiyattam (Malayalam: കൂടിയാട്ടം; IAST: kūṭiyāṭṭaṁ; lit.'combined act') is a traditional performing art form in the state of Kerala, India. It is a combination of ancient Sanskrit theatre with elements of Koothu, an ancient performing art from the Sangam era. It is officially recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity.

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Masterpieces of the Oral and Intangible Heritage of Humanity in the context of Vedic chant

The oral tradition of the Vedas (Śruti) consists of several pathas, "recitations" or ways of chanting the Vedic mantras. Such traditions of Vedic chant are often considered the oldest unbroken oral tradition in existence, the fixation of the Vedic texts (samhitas) as preserved dating to roughly the time of Homer (early Iron Age or 800 BC).

UNESCO proclaimed the tradition of Vedic chant a Masterpiece of the Oral and Intangible Heritage of Humanity on November 7, 2008.

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Masterpieces of the Oral and Intangible Heritage of Humanity in the context of Batik in Indonesia

Batik plays multiple roles in the culture of Indonesia. The wax resist-dyeing technique has been used for centuries in Java, and has been adopted in varying forms in other parts of the country. Java is home to several batik museums.

On 2 October 2009, UNESCO inscribed written batik (batik tulis) and stamped batik (batik cap) as a Masterpiece of Oral and Intangible Heritage of Humanity from Indonesia. Since then, Indonesia has celebrated a Batik Day (Hari Batik Nasional) annually on 2 October. In the same year, UNESCO recognized education and training in Indonesian Batik as a Masterpiece of Oral and Intangible Heritage of Humanity.

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Masterpieces of the Oral and Intangible Heritage of Humanity in the context of Mevlevi Order

The Mevlevi Order or Mawlawiyya (Turkish: Mevlevilik; Persian: طریقت مولویه) is a Sufi order that originated in Konya, Turkey (formerly capital of the Sultanate of Rum) and which was founded by the followers of Jalaluddin Muhammad Balkhi Rumi, a 13th-century Persian poet, Sufi mystic, and theologian. The Mevlevis are also known as the "whirling dervishes" due to their famous practice of whirling while performing dhikr (remembrance of God). Dervish is a common term for an initiate of the Sufi path; whirling is part of the formal sema ceremony and the participants are properly known as semazens.

In 2005, UNESCO confirmed "The Mevlevi Sema Ceremony" as amongst the Masterpieces of the Oral and Intangible Heritage of Humanity.

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Masterpieces of the Oral and Intangible Heritage of Humanity in the context of Castell

A castell (Catalan: [kəsˈteʎ]; literally "castle") is a human pyramid built traditionally at festivals in a part of Catalonia (Spain), now also found in the rest of Catalonia, in the Balearic islands and in the Valencian Community.

At these festivals, several colles castelleres (teams that build towers) attempt to build and then dismantle a tower's structure. On 16 November 2010, castells were declared by UNESCO to be amongst the Masterpieces of the Oral and Intangible Heritage of Humanity.

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Masterpieces of the Oral and Intangible Heritage of Humanity in the context of Jongmyo rites

Jongmyo jerye (Korean종묘제례) or jongmyo daeje (종묘대제) is a traditional rite held for worshipping the deceased Joseon monarchs in Jongmyo Shrine, Seoul, South Korea. It is held every year on the first Sunday of May. The jongmyo rite is usually accompanied with the court music playing (Jerye-ak) and dance called Ilmu or line dance. Jongmyo jerye and jeryeak were designated as Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO in 2001.

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Masterpieces of the Oral and Intangible Heritage of Humanity in the context of Wayang golek

Wayang golek (Sundanese: ᮝᮚᮀ ᮍᮧᮜᮦᮊ᮪, romanized: wayang golèk (in the lemes register); is one of the traditional Sundanese puppet arts from West Java, Indonesia. In contrast to the wayang art in other areas of Java that use leather in the production of wayang, wayang golek is a wayang art made of wood. Wayang golek is very popular in West Java, especially in the Pasundan land area. Today, wayang golek has become an important part of Sundanese culture.

On November 7, 2003, UNESCO designated wayang the flat leather shadow puppet (wayang kulit), the flat wooden puppet (wayang klitik), and the three-dimensional wooden puppet (wayang golek) theatre, as a Masterpiece of the Oral and Intangible Heritage of Humanity. In return for the acknowledgment, UNESCO required Indonesians to preserve the tradition.

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Masterpieces of the Oral and Intangible Heritage of Humanity in the context of Batik Day

National Batik Day (Indonesian: Hari Batik Nasional) is an Indonesian cultural day for celebrating batik – the traditional cloth of Indonesia. It is celebrated on October 2 and marks the anniversary of when the UNESCO inscribed batik as a Masterpiece of Oral and Intangible Heritage of Humanity in 2009.

At the day, in Jakarta, the map of Indonesian batik diversity by Hokky Situngkir was opened for public for the first time by the Indonesian Ministry of Research and Technology. The Indonesian government strongly encourage Indonesian people (especially government officials, employees of state-owned enterprises, and students) to wear batik annually on the holiday and on Fridays to commemorate the day. Wearing batik every Friday has also been encouraged in private companies.

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