Virgin of Mercy in the context of Votive portrait


Virgin of Mercy in the context of Votive portrait

⭐ Core Definition: Virgin of Mercy

The Virgin of Mercy is a subject in Christian art, showing a group of people sheltering for protection under the outspread cloak, or pallium, of the Virgin Mary. It was especially popular in Italy from the 13th to 16th centuries, often as a specialised form of votive portrait; it is also found in other countries and later art, especially Spain and Latin America.

Usually the Virgin is standing alone, though if angels hold up the cloak, she is free to hold the infant Christ. She is typically about twice the size of the other figures. The people sheltered normally kneel, and are of necessity shown usually at a much smaller scale. These may represent all members of Christian society, with royal crowns, mitres and a papal tiara in the front rows, or represent the local population. The subject was often commissioned by specific groups such as families, confraternities, guilds or convents or abbeys, and then the figures represent these specific groups, as shown by their dress, or by the 15th century individual portraits. Sometimes arrows rain down from above, which the cloak prevents from reaching the people.

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Virgin of Mercy in the context of Mercedarian

The Royal, Celestial and Military Order of Our Lady of Mercy and the Redemption of the Captives (Latin: Ordo Beatae Mariae de Mercede Redemptionis Captivorum, abbreviated O. de M.), also known as the Mercedarians, is a Catholic mendicant order established in 1218 by Peter Nolasco in the city of Barcelona, at that time the capital of the Principality of Catalonia, part of the Crown of Aragon, for the redemption of Christian captives. Its members are most commonly known as Mercedarian friars or nuns. One of the distinguishing marks of the Order of the Blessed Virgin Mary of Mercy is that, since its foundation, its members are required to take a fourth vow: to die, if necessary, for another who is in danger of losing their faith. The Order exists today in 17 countries.

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Virgin of Mercy in the context of Lippo Memmi

Lippo Memmi (c. 1291 – 1356) was an Italian painter from Siena. He was the foremost follower of Simone Martini, who was his brother-in-law.

Together with Martini, in 1333 he painted what is regarded as one of the masterworks of the International Gothic, the Annunciation with St. Margaret and St. Ansanus (now in the Uffizi), probably mainly working on the two saints. He was one of the artists who worked at Orvieto Cathedral, for which he finished the Virgin of Mercy ("Madonna dei Raccomandati"). Later he followed Martini to the Papal court in Avignon, where he worked until the mid-14th century. After his return to Siena, Memmi continued to work until his death in 1356.

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