Villa Giulia in the context of "Etruscan architecture"

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⭐ Core Definition: Villa Giulia

The Villa Giulia is a villa in Rome, Italy. It is named after Pope Julius III, who had it built in 1551–1553 on what was then the edge of the city. Today it is publicly owned, and houses the Museo Nazionale Etrusco, a collection of Etruscan art and artifacts.

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👉 Villa Giulia in the context of Etruscan architecture

Etruscan architecture was created between about 900 BC and 27 BC, when the expanding civilization of ancient Rome finally absorbed Etruscan civilization. The Etruscans were considerable builders in stone, wood and other materials of temples, houses, tombs and city walls, as well as bridges and roads. The only structures remaining in quantity in anything like their original condition are tombs and walls, but through archaeology and other sources we have a good deal of information on what once existed.

From about 630 BC, Etruscan architecture was heavily influenced by Greek architecture, which was itself developing through the same period. In turn it influenced Roman architecture, which in its early centuries can be considered as just a regional variation of Etruscan architecture. But increasingly, from about 200 BC, the Romans looked directly to Greece for their styling, while sometimes retaining Etruscan shapes and purposes in their buildings.

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Villa Giulia in the context of Antefix

In architecture, an antefix (from Latin antefigere 'to fasten before') is a vertical block which terminates and conceals the covering tiles of a tiled roof (see imbrex and tegula, monk and nun). It also serves to protect the join from the elements. In grand buildings, the face of each stone antefix was richly carved, often with the anthemion ornament. In less grand buildings moulded ceramic antefixes, usually terracotta, might be decorated with figures heads, either of humans, mythological creatures, or astrological iconography, especially in the Roman period. On temple roofs, maenads and satyrs were often alternated. The frightening features of the Gorgon, with its petrifying eyes and sharp teeth, was also a popular motif to ward off evil. A Roman example from the Augustan period features the butting heads of two billy goats. It may have had special significance in imperial Rome since the constellation Capricorn was adopted by the emperor Augustus as his own lucky star sign and appeared on coins and legionary standards. By this time they were found on many large buildings, including private houses. The earliest examples in museum collections date back to the 7th century BCE in both Greece and Etruria.

In the garden of the Villa Giulia in Rome, that houses the National Etruscan Museum, is a reconstruction of an Etruscan temple built between 1889 and 1890 on the basis of the ruins found in Alatri. Its tiled roof is lined with antefixes.

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