Villa Castello in the context of "Italian Renaissance garden"

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⭐ Core Definition: Villa Castello

The Villa di Castello, near the hills bordering Florence, Tuscany, central Italy, was the country residence of Cosimo I de' Medici, Grand Duke of Tuscany (1519-1574). The gardens, filled with fountains, statuary, and a grotto, became famous throughout Europe. The villa also housed some of the great art treasures of Florence, including Sandro Botticelli's Renaissance masterpieces The Birth of Venus and Primavera. The gardens of the Villa had a profound influence upon the design of the Italian Renaissance garden and the later French formal garden.

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Villa Castello in the context of Primavera (painting)

Primavera (Italian pronunciation: [primaˈvɛːra], meaning "Spring") is a large panel painting in tempera paint by the Italian Renaissance painter Sandro Botticelli made in the late 1470s or early 1480s (datings vary). It has been described as "one of the most written about, and most controversial paintings in the world", and also "one of the most popular paintings in Western art".

The painting depicts a group of figures from classical mythology in a garden, but no story has been found that brings this particular group together. Most critics agree that the painting is an allegory based on the lush growth of Spring, but accounts of any precise meaning vary, though many involve the Renaissance Neoplatonism which then fascinated intellectual circles in Florence. The subject was first described as Primavera by the art historian Giorgio Vasari who saw it at Villa Castello, just outside Florence, by 1550.

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