Video frame in the context of Picture frame


Video frame in the context of Picture frame

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⭐ Core Definition: Video frame

In filmmaking, video production, animation, and related fields, a frame is one of the many still images which compose the complete moving picture. The term is derived from the historical development of film stock, in which the sequentially recorded single images look like a framed picture when examined individually.

The term may also be used more generally as a noun or verb to refer to the edges of the image as seen in a camera viewfinder or projected on a screen. Thus, the camera operator can be said to keep a car in frame by panning with it as it speeds past.

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Video frame in the context of Framebuffer

A framebuffer (frame buffer, or sometimes framestore) is a portion of random-access memory (RAM) containing a bitmap that drives a video display. It is a memory buffer containing data representing all the pixels in a complete video frame. Modern video cards contain framebuffer circuitry in their cores. This circuitry converts an in-memory bitmap into a video signal that can be displayed on a computer monitor.

In computing, a screen buffer is a part of computer memory used by a computer application for the representation of the content to be shown on the computer display. The screen buffer may also be called the video buffer, the regeneration buffer, or regen buffer for short. Screen buffers should be distinguished from video memory. To this end, the term off-screen buffer is also used.

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Video frame in the context of Skip field

In video, skip field recording is a process in which only one field (one half of a frame) of video is recorded in order to conserve recording media space. In some cases, the quality loss from not using both fields is negligible, although it leads to a reduction in vertical and temporal resolution. It was a common method used in early telerecording systems, as well as early and current non-professional/industrial videotape formats such as CV-2000, Cartrivision and V-Cord.

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Video frame in the context of 625 lines

625-line (or CCIR 625/50) is a late 1940s European analog standard-definition television resolution standard. It consists of a 625-line raster, with 576 lines carrying the visible image at 25 interlaced frames per second. It was eventually adopted by countries using 50 Hz utility frequency as regular TV broadcasts resumed after World War II. With the introduction of color television in the 1960s, it became associated with the PAL and SECAM analog color systems.

A similar 525-line system was adopted by countries using 60 Hz utility frequency (like the US). Other systems, like 375-line, 405-line, 441-line, 455-line, and 819-line existed, but became outdated or had limited adoption.

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