Victorian England in the context of "History of the United Kingdom"

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⭐ Core Definition: Victorian England

In the history of the United Kingdom and the British Empire, the Victorian era was the reign of Queen Victoria, from 20 June 1837 until her death on 22 January 1901. Slightly different definitions are sometimes used. The era followed the Georgian era and preceded the Edwardian era, and its later half overlaps with the first part of the Belle Époque era of continental Europe.

Various liberalising political reforms took place in the UK, including expanding the electoral franchise. The Great Famine caused mass death in Ireland in the mid 1840s. Britain had peaceful relations with the other great powers. It participated in various military threats and conflicts mainly against minor powers. The Crimean War of the 1850s was against Russia. It was seen as a major threat to the Ottoman ally and to India. The British Empire expanded during this period and the Royal Navy was predominant power in the world.

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Victorian England in the context of James Tissot

Jacques Joseph Tissot (French: [ʒɑk ʒozɛf tiso]; 15 October 1836 – 8 August 1902), better known as James Tissot (UK: /ˈtɪs/ TISS-oh, US: /tˈs/ tee-SOH), was a French painter, illustrator, and caricaturist. He was born to a drapery merchant and a milliner and decided to pursue a career in art at a young age, coming to incorporate elements of realism, early Impressionism, and academic art into his work. He is best known for a variety of genre paintings of contemporary European high society produced during the peak of his career, which focused on the people and women's fashion of the Belle Époque and Victorian England, but he would also explore many medieval, biblical, and Japoniste subjects throughout his life. His career included work as a caricaturist for Vanity Fair under the pseudonym of Coïdé.

Tissot served in the Franco-Prussian War on the side of France and later the Paris Commune. In 1871 he moved to London, where he found further success as an artist and began a relationship with Irishwoman Kathleen Newton, who lived with him as a close companion and muse until her death in 1882. Tissot maintained close relations with the Impressionist movement for much of his life, including James Abbott Whistler and friend and protégé Edgar Degas. He was awarded the French Legion of Honor in 1894.

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Victorian England in the context of Game pie

Game pie is a form of meat pie featuring game. The dish dates from Roman times when the main ingredients were wild birds and animals such as partridge, pheasant, deer, and hare. The pies reached their most elaborate form in Victorian England, with complex recipes and specialized moulds and serving dishes. Modern versions are simpler but savoury combinations of rabbit, venison, pigeon, pheasant, and other commercially available game.

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Victorian England in the context of Savoy opera

Savoy opera was a style of comic opera that developed in Victorian England in the late 19th century, with W. S. Gilbert and Arthur Sullivan as the original and most successful practitioners. The name is derived from the Savoy Theatre, which impresario Richard D'Oyly Carte built to house the Gilbert and Sullivan pieces, and later those by other composer–librettist teams. The great bulk of the non-G&S Savoy Operas either failed to achieve a foothold in the standard repertory, or have faded over the years, leaving the term "Savoy Opera" as practically synonymous with Gilbert and Sullivan. The Savoy operas (in both senses) were seminal influences on the creation of the modern musical.

Gilbert, Sullivan, Carte and other Victorian era British composers, librettists and producers, as well as the contemporary British press and literature, called works of this kind "comic operas" to distinguish their content and style from that of the often risqué continental European operettas that they wished to displace. Most of the published literature on Gilbert and Sullivan since that time refers to these works as "Savoy Operas", "comic operas", or both. However, the Penguin Opera Guides and many other general music dictionaries and encyclopedias classify the Gilbert and Sullivan works as operettas.

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Victorian England in the context of Far from the Madding Crowd

Far from the Madding Crowd is the fourth published novel by English author Thomas Hardy; and his first major literary success. It was published on 23 November 1874. It originally appeared anonymously as a monthly serial in Cornhill Magazine, where it gained a wide readership.

The novel is set in Thomas Hardy's Wessex in rural southwest England, as had been his earlier Under the Greenwood Tree. It deals in themes of love, honour and betrayal, against a backdrop of the seemingly idyllic, but often harsh, realities of a farming community in Victorian England. It describes the life and relationships of Bathsheba Everdene with her lonely neighbour William Boldwood, the faithful shepherd Gabriel Oak, and the faithless soldier Sgt. Frank Troy.

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Victorian England in the context of Tess of the d'Urbervilles

Tess of the d'Urbervilles: A Pure Woman is the twelfth published novel by English author Thomas Hardy. It initially appeared in a censored and serialised version, published by the British illustrated newspaper The Graphic in 1891, then in book form in three volumes in 1891, and as a single volume in 1892. Although now considered a major novel of the 19th century, Tess of the d'Urbervilles received mixed reviews when it first appeared, in part because it challenged the sexual morals of late Victorian England.

The novel is set in an impoverished rural England, Thomas Hardy's fictional Wessex.

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