Victor Emmanuel II Monument in the context of "Public holidays in Italy"

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⭐ Core Definition: Victor Emmanuel II Monument

The Victor Emmanuel II National Monument (Italian: Monumento Nazionale a Vittorio Emanuele II), also known as the Vittoriano or for synecdoche Altare della Patria ("Altar of the Fatherland"), is a large national monument built between 1885 and 1935 to honour Victor Emmanuel II, the first king of a unified Italy, in Rome, Italy. It occupies a site between the Piazza Venezia and the Capitoline Hill. The monument was realized by Giuseppe Sacconi.

From an architectural perspective, it was conceived as a modern forum, an agora on three levels connected by stairways and dominated by a portico characterized by a colonnade. The complex process of national unity and liberation from foreign domination carried out by King Victor Emmanuel II of Savoy, to whom the monument is dedicated, has a great symbolic and representative value, being architecturally and artistically centred on the unification of Italyβ€”for this reason the Vittoriano is considered one of the national symbols of Italy.

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πŸ‘‰ Victor Emmanuel II Monument in the context of Public holidays in Italy

Public holidays in Italy are established by the Italian parliament and, with the exception of city or community patronal days, apply nationwide. These include a mix of national, religious and local observances. As for Whit Monday, there is an exception for South Tyrol. In Italy, there are also State commemoration days, which are not public holidays.

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Victor Emmanuel II Monument in the context of Roma (goddess)

In ancient Roman religion, Roma was a female deity who personified the city of Rome and, more broadly, the Roman state. She was created and promoted to represent and propagate certain of Rome's ideas about itself, and to justify its rule. She was portrayed on coins, sculptures, architectural designs, and at official games and festivals. Images of Roma had elements in common with other goddesses, such as Rome's Minerva, her Greek equivalent Athena and various manifestations of Greek Tyche, who protected Greek city-states; among these, Roma stands dominant, over piled weapons that represent her conquests, and promising protection to the obedient. Her "Amazonian" iconography shows her "manly virtue" (virtus) as fierce mother of a warrior race, augmenting rather than replacing local goddesses. On some coinage of the Roman Imperial era, she is shown as a serene advisor, partner and protector of ruling emperors. In Rome, the Emperor Hadrian built and dedicated a gigantic temple to her as Roma Aeterna ("Eternal Rome"), and to Venus Felix ("Venus the Bringer of Good Fortune"), emphasising the sacred, universal and eternal nature of the empire.

Roma's official cult served to advance the propagandist message of Imperial Rome. In Roman art and coinage, she is usually depicted in military form, with helmet and weapons. In Rome's eastern provinces, she was often shown with mural crown or cornucopia, or both. Her image is rarely found in a commonplace or domestic context. Roma was probably favoured by Rome's high-status Imperial representatives abroad, rather than the Roman populace at large. She was depicted on silver cups, arches, and sculptures, including the base of the column of Antoninus Pius. She survived into the Christian period as a personification of the Roman state. Her depiction seated with a shield and spear later influenced that of Britannia, personification of Britain.

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Victor Emmanuel II Monument in the context of Public holiday

A public holiday, national holiday, federal holiday, statutory holiday, bank holiday or legal holiday is a holiday generally established by law and is usually a non-working day during the year.

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Victor Emmanuel II Monument in the context of Tomb of the Unknown Soldier (Italy)

The Tomb of the Unknown Soldier (Italian: Tomba del Milite Ignoto) is a war memorial located in Rome under the statue of the goddess Roma at the Altare della Patria. It is a sacellum dedicated to the Italian soldiers killed and missing during war.

It is the scene of official ceremonies that take place annually on the occasion of the Italian Liberation Day (April 25), the Italian Republic Day (June 2) and the National Unity and Armed Forces Day (November 4), during which the President of the Italian Republic and the highest offices of the State pay homage to the shrine of the Unknown Soldier with the deposition of a laurel wreath in memory of the fallen and missing Italians in the wars.

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Victor Emmanuel II Monument in the context of Aerobatics

Aerobatics is the practice of flying maneuvers involving aircraft attitudes that are not used in conventional passenger-carrying flights. The term is a portmanteau of "aeroplane" and "acrobatics". Aerobatics are performed in aeroplanes and gliders for training, recreation, entertainment, and sport. Additionally, some helicopters, such as the MBB Bo 105, are capable of limited aerobatic manoeuvres. An example of a fully aerobatic helicopter, capable of performing loops and rolls, is the Westland Lynx.

Most aerobatic manoeuvres involve rotation of the aircraft about its longitudinal (roll) axis or lateral (pitch) axis. Other maneuvers, such as a spin, displace the aircraft about its vertical (yaw) axis. Manoeuvres are often combined to form a complete aerobatic sequence for entertainment or competition. Aerobatic flying requires a broader set of piloting skills and exposes the aircraft to greater structural stress than for normal flight. In some countries, the pilot must wear a parachute when performing aerobatics.

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