Enkidu in the context of "Epic of Gilgamesh"

Gilgamesh (/ˈɡɪlɡəmɛʃ/, /ɡɪlˈɡɑːmɛʃ/; Akkadian: 𒀭𒄑𒂆𒈦, romanized: Gilgāmeš; originally Sumerian: 𒀭𒄑𒉋𒂵𒎌, romanized: Bilgames) was a hero in ancient Mesopotamian mythology and the protagonist of the Epic of Gilgamesh, an epic poem written in Akkadian during the late 2nd millennium BC. He was possibly a historical king of the Sumerian city-state of Uruk, who was posthumously deified. His rule probably would have taken place sometime in the beginning of the Early Dynastic Period, c. 2900–2350 BC, though he became a major figure in Sumerian legend during the Third Dynasty of Ur (c. 2112 – c. 2004 BC).

Tales of Gilgamesh's legendary exploits are narrated in five surviving Sumerian poems. The earliest of these is likely "Gilgamesh, Enkidu, and the Netherworld", in which Gilgamesh comes to the aid of the goddess Inanna and drives away the creatures infesting her huluppu tree. She gives him two unknown objects, a mikku and a pikku, which he loses. After Enkidu's death, his shade tells Gilgamesh about the bleak conditions in the Underworld. The poem Gilgamesh and Aga describes Gilgamesh's revolt against his overlord Aga of Kish. Other Sumerian poems relate Gilgamesh's defeat of the giant Huwawa and the Bull of Heaven, while a fifth, poorly preserved poem relates the account of his death and funeral.

Shamhat (Akkadian: 𒊩𒌑𒉺, romanized: Šamḫat; also called Shamkat in the old Babylonian version of Gilgamesh") is a character who appears in Tablets I and II of the Epic of Gilgamesh and is mentioned in Tablet VII. She is often characterized as a sacred prostitute, though this identification has been contested, and she plays a significant role in bringing the wild man Enkidu into contact with civilization.

In ancient Mesopotamian mythology, the Bull of Heaven is a mythical beast fought by the King of Uruk Gilgamesh. The story of the Bull of Heaven is known from two different versions: one recorded in an earlier Sumerian poem and a later episode in the Standard Babylonian (a literary dialect of Akkadian) Epic of Gilgamesh. In the Sumerian poem, the Bull is sent to attack Gilgamesh by the goddess Inanna for reasons that are unclear.

The more complete Akkadian account comes from Tablet VI of the Epic of Gilgamesh, in which Gilgamesh refuses the sexual advances of the goddess Ishtar, the East Semitic equivalent of Inanna, leading the enraged Ishtar to demand the Bull of Heaven from her father Anu, so that she may send it to attack Gilgamesh in Uruk. Anu gives her the Bull and she sends it to attack Gilgamesh and his companion, the hero Enkidu, who slay the Bull together.

Ninsun (also called Ninsumun, cuneiform: 𒀭𒊩𒌆𒄢 NIN.SUMUN_2; Sumerian: Nin-sumun(ak) "lady of the wild cows") was a Mesopotamian goddess. She is best known as the mother of the hero Gilgamesh and wife of deified legendary king Lugalbanda, and appears in this role in most versions of the Epic of Gilgamesh. She was associated with Uruk, where she lives in this composition, but she was also worshiped in other cities of ancient Mesopotamia, such as Nippur and Ur, and her main cult center was the settlement KI.KAL.

The degree of Ninsun's involvement in Gilgamesh's life varies between various versions of the Epic. She only plays an active role in the so-called "Standard Babylonian" version, in which she advises her son and interprets his dreams, petitions the sun god Shamash to protect him, and accepts Enkidu as a member of her family. In the Old Babylonian version her role is passive, with her actions being merely briefly discussed by Shamhat, while a Hittite translation of the text omits her altogether. She is additionally present in older Sumerian compositions, including Gilgamesh and the Bull of Heaven, as well as a poorly preserved and very early myth describing her first meeting with Lugalbanda and their marriage.

Samson (/ˈsæmsən/; Hebrew: שִׁמְשׁוֹן, romanized: Šimšōn, lit. 'man of the sun') was the last of the judges of the ancient Israelites mentioned in the Book of Judges (chapters 13 to 16) and one of the last leaders who "judged" the twelve tribes of Israel before the institution of the monarchy. He is sometimes regarded as an Israelite version of the popular Near Eastern folk hero archetype also embodied by the Sumerian Gilgamesh and Enkidu, as well as the Greek Heracles. Samson was given superhuman powers by God in the form of extreme strength.

The biblical account states that Samson was a Nazirite and that he was given immense strength to aid him against his enemies and allow him to perform superhuman feats, including slaying a lion with his bare hands and massacring a Philistine army with a donkey's jawbone. The cutting of Samson's long hair would violate his Nazirite vow and nullify his ability.

The creation of life from clay (or soil, earth, dust, or mud) appears throughout world religions and mythologies, some of the earliest occurring in the creation myths about the origin of man in the cosmology of the ancient Near East. The idea occurs in both biblical cosmology and Quranic cosmology. The clay represents an unformed, chaotic material which is shaped and given form by the gods in a creative process. A related motif is the use of clay to seed or create the world. In southwest Asia, the clay-shaping was cast as a magical act. In the same way that humans would use clay to make terracotta images of their gods, so the gods moulded humans out of clay in their godlike form. They were described as obtaining this material by pinching off pieces of wet mud.

The most famous example of this is in the biblical Book of Genesis (2:7), where Adam is made out of dust, an idea that appears across the Bible (Job 10:9; Psalm 90:3; 104:29; Isaiah 29:16, etc.). The idea is also found in the Epic of Gilgamesh where the goddess Aruru creates Enkidu from clay, in Egyptian mythology where Khmun makes man out of clay, and various Greek texts crediting Prometheus (one of the Titans) with doing the same. Later, the concept would influence art history, such as the impact it had on the work of Giorgio Vasari.

In Sumerian religion, Gugalanna (𒄞𒃲𒀭𒈾 [GU₄.GAL.AN.NA] or 𒀭𒄘𒃲𒀭𒈾 [GU₂.GAL.AN.NA]) is the first husband of Ereshkigal, the queen of the underworld. His name probably originally meant "canal inspector of An" and he may be merely an alternative name for Ennugi. The son of Ereshkigal and Gugalanna is Ninazu. In Inanna's Descent into the Underworld, Inanna, the goddess of love, beauty, sex, and war, tells the gatekeeper Neti that she is descending to the Underworld to attend the funeral of "Gugalanna, the husband of my elder sister Ereshkigal". Some scholars consider Gugalanna to be the same figure as the Bull of Heaven, slain by Gilgamesh and Enkidu in the Epic of Gilgamesh.

The Epic of Gilgamesh (/ˈɡɪlɡəmɛʃ/) is an epic from ancient Mesopotamia. The literary history of Gilgamesh begins with five Sumerian poems about Gilgamesh (formerly read as Sumerian "Bilgames"), king of Uruk, some of which may date back to the Third Dynasty of Ur (c. 2100 BCE). These independent stories were later used as source material for a combined epic in Akkadian. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates back to the 18th century BCE and is titled after its incipit, Shūtur eli sharrī ("Surpassing All Other Kings"). Only a few tablets of it have survived. The later Standard Babylonian version compiled by Sîn-lēqi-unninni dates to somewhere between the 13th to the 10th centuries BCE and bears the incipit Sha naqba īmuru ("He Who Saw the Deep(s)", lit. "He Who Sees the Unknown"). Approximately two-thirds of this longer, twelve-tablet version have been recovered. Some of the best copies were discovered in the library ruins of the 7th-century BCE Assyrian King Ashurbanipal.

The first part of the story discusses Gilgamesh, king of Uruk, and Enkidu, a wild man created by the gods to stop Gilgamesh from oppressing his people. After Enkidu becomes civilized through sexual initiation with Shamhat, he travels to Uruk, where he challenges Gilgamesh to a test of strength. Gilgamesh wins the contest; nonetheless, the two become friends. Together, they make a six-day journey to the legendary Cedar Forest, where they ultimately slay its Guardian, Humbaba, and cut down the sacred Cedar. The goddess Ishtar sends the Bull of Heaven to punish Gilgamesh for spurning her advances. Gilgamesh and Enkidu kill it, insulting Ishtar in the process. The gods decide to sentence Enkidu to death by giving him a fatal illness.