Venice in the context of Antonio Somma


Venice in the context of Antonio Somma

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⭐ Core Definition: Venice

Venice is a city in northeastern Italy and the capital of the region of Veneto. It is built on a group of 118 islands that are separated by expanses of open water and by canals; portions of the city are linked by 438 bridges.

The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po and the Piave rivers (more exactly between the Brenta and the Sile). As of 2025, the city proper (comune of Venice) has 249,466 inhabitants, nearly 50,000 of whom live in the historical island city of Venice (centro storico), while most of the population resides on the mainland (terraferma), and about 25,000 live on other islands in the lagoon (estuario).

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Venice in the context of Italy

Italy, officially the Italian Republic, is a country in Southern and Western Europe. It consists of a peninsula that extends into the Mediterranean Sea, with the Alps on its northern land border, as well as nearly 800 islands, notably Sicily and Sardinia. Italy shares land borders with France to the west; Switzerland and Austria to the north; Slovenia to the east; and the two enclaves of Vatican City and San Marino. It is the tenth-largest country in Europe by area, covering 301,340 km (116,350 sq mi), and the third-most populous member state of the European Union, with nearly 59 million inhabitants. Italy's capital and largest city is Rome; other major cities include Milan, Naples, Turin, Palermo, Bologna, Florence, Genoa, and Venice.

The history of Italy goes back to numerous Italic peoples – notably including the ancient Romans, who conquered the Mediterranean world during the Roman Republic and ruled it for centuries during the Roman Empire. With the spread of Christianity, Rome became the seat of the Catholic Church and the Papacy. Barbarian invasions and other factors led to the decline and fall of the Western Roman Empire between late antiquity and the Early Middle Ages. By the 11th century, Italian city-states and maritime republics expanded, bringing renewed prosperity through commerce and laying the groundwork for modern capitalism. The Italian Renaissance flourished during the 15th and 16th centuries and spread to the rest of Europe. Italian explorers discovered new routes to the Far East and the New World, contributing significantly to the Age of Discovery.

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Venice in the context of Greeks in Italy

Greeks in Italy have been present since the migrations of traders and colonial foundations in the 8th century BC, continuing down to the present time. Nowadays, there is an ethnic minority known as the Griko people, who live in the Southern Italian regions of Calabria (Province of Reggio Calabria) and Apulia, especially the peninsula of Salento, within the ancient Magna Graecia region, who speak a distinctive dialect of Greek called Griko. They are believed to be remnants of the ancient and medieval Greek communities, who have lived in the south of Italy for centuries. A Greek community has long existed in Venice as well, the current centre of the Greek Orthodox Archdiocese of Italy and Malta, which in addition was a Byzantine province until the 10th century and held territory in Morea and Crete until the 17th century. Alongside this group, a smaller number of more recent migrants from Greece lives in Italy, forming an expatriate community in the country. Today many Greeks in Southern Italy follow Italian customs and culture, experiencing cultural assimilation.

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Venice in the context of Tenedos

Tenedos (Greek: Τένεδος; pronounced [ˈteneðos]; Latin: Tenedus), or Bozcaada in Turkish, is an island of Turkey in the northeastern part of the Aegean Sea. Administratively, the island constitutes the Bozcaada district of Çanakkale Province. With an area of 39.9 km (15 sq mi), it is the third-largest Turkish island after Imbros (Gökçeada) and Marmara. In 2022, the district had a population of 3,120 inhabitants. The main industries are tourism, wine production and fishing. The island has been famous for its grapes, wines and red poppies for centuries. It is a former bishopric and presently a Latin Catholic titular see.

Tenedos is mentioned in both the Iliad and the Aeneid, in the latter as the site where the Greeks hid their fleet near the end of the Trojan War in order to trick the Trojans into believing the war was over and into taking the Trojan Horse within their city walls. Despite its small size, the island was important throughout classical antiquity due to its strategic location at the entrance of the Dardanelles. In the following centuries, the island came under the control of a succession of regional powers, including the Persian Empire, the Delian League, the empire of Alexander the Great, the Attalid kingdom, the Roman Empire and its successor, the Byzantine Empire, before passing to the Republic of Venice. As a result of the War of Chioggia (1381) between Genoa and Venice the entire population was evacuated and the town was demolished. The Ottoman Empire established control over the deserted island in 1455. During Ottoman rule, it was resettled by both Greeks and Turks. In 1807, the island was temporarily occupied by the Russians. During this invasion the town was burnt down and many Turkish residents left the island.

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Venice in the context of Kythera

Kythira (/kɪˈθɪərə, ˈkɪθɪrə/ kih-THEER-ə, KITH-irr-ə; Greek: Κύθηρα [ˈciθira]), also transliterated as Kithira, Kythera, Kithera, Cythira, Cithira, Cythera and Cithera, is an island in Greece lying opposite the south-eastern tip of the Peloponnese peninsula. It is traditionally listed as one of the seven main Ionian Islands, although it is distant from the main group. Administratively, it belongs to the Islands regional unit, which is part of the Attica region, despite its distance from the Saronic Islands, around which the rest of Attica is centered. As a municipality, it includes the island of Antikythera to the south.

The island is strategically located between the Greek mainland and Crete, and from ancient times until the mid-19th century was a crossroads of merchants, sailors, and conquerors. As such, it has had a long and varied history and has been influenced by many civilizations and cultures. This is reflected in its architecture (a blend of traditional, Aegean and Venetian elements), as well as the traditions and customs, influenced by centuries of coexistence of the Greek, and Venetian cultures.

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Venice in the context of Italian city-states

The Italian city-states were numerous political and independent territorial entities that existed in the Italian Peninsula from antiquity to the formation of the Kingdom of Italy in the late 19th century.

The ancient Italian city-states were Etruscan (Dodecapolis), Latin, most famously Rome, and Greek (Magna Graecia), but also of Umbrian, Celtic and other origins. After the fall of the Western Roman Empire, urban settlements in Italy generally enjoyed a greater continuity than settlements in western Europe. Many of these cities were survivors of earlier Etruscan, Umbrian and Roman towns which had existed within the Roman Empire. The republican institutions of Rome had also survived.

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Venice in the context of Republic of Venice

The Republic of Venice, officially the Most Serene Republic of Venice and traditionally known as La Serenissima, was a sovereign state and maritime republic with its capital in Venice. Founded, according to tradition, in 697 by Paolo Lucio Anafesto, over the course of its 1,100 years of history it established itself as one of the major European commercial and naval powers. Initially extended in the Dogado area (a territory currently comparable to the Metropolitan City of Venice), during its history it annexed a large part of Northeast Italy, Istria, Dalmatia, the coasts of present-day Montenegro and Albania as well as numerous islands in the Adriatic and eastern Ionian seas. At the height of its expansion, between the 13th and 16th centuries, it also governed Crete, Cyprus, the Peloponnese, a number of Greek islands, as well as several cities and ports in the eastern Mediterranean.

The islands of the Venetian Lagoon in the 7th century, after having experienced a period of substantial increase in population, were organized into Maritime Venice, a Byzantine duchy dependent on the Exarchate of Ravenna. With the fall of the Exarchate and the weakening of Byzantine power, the Duchy of Venice arose, led by a doge and established on the island of Rialto; it prospered from maritime trade with the Byzantine Empire and other eastern states. To safeguard the trade routes, between the 9th and 11th centuries the Duchy waged several wars, which ensured its complete dominion over the Adriatic. Owing to its participation in the Crusades, Venice increasingly penetrated into eastern markets and, between the 12th and 13th centuries, managed to extend its power into numerous eastern emporiums and commercial ports. The supremacy over the Mediterranean Sea led the Republic to the clash with Genoa, which lasted until the 14th century, when, after having risked complete collapse during the War of Chioggia (with the Genoese army and fleet in the lagoon for a long period), Venice quickly managed to recover from the territorial losses suffered with the Treaty of Turin of 1381 and begin expansion on the mainland.

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Venice in the context of Gallerie dell'Accademia

The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy. A few weeks every six years, it houses the Leonardo da Vinci drawing The Vitruvian Man. It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro.

It was originally the gallery of the Accademia di Belle Arti di Venezia, the art academy of Venice, from which it became independent in 1879, and for which the Ponte dell'Accademia and the Accademia boat landing station for the vaporetto water bus are named. The two institutions remained in the same building until 2004, when the art school moved to the Ospedale degli Incurabili.

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Venice in the context of Support (art)

In visual arts, the support is the solid surface on which the work is painted, typically a canvas or a panel. Support is technically distinct from the overlaying ground. Sometimes "ground" is used in a broad sense of "support" to designate any surface used for painting, for example, paper for watercolor or plaster for fresco.

The support for an oil painting can be either rigid or flexible, both providing certain opportunities and challenges for the artist. In order to get both the stability and the desired texture, painters for finished paintings usually use canvas that are pre-stretched on a solid frame or panel (so-called stretchers usually made of stretcher bars). These stretched canvas became popular in Venice in the 17th century. Since these supports are expensive, studies are frequently executed on pieces of canvas or paper. Canvas board, a piece of canvas mounted onto a paper board, provides another low-cost alternative for sketches.

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Venice in the context of Italian Renaissance

The Italian Renaissance (Italian: Rinascimento [rinaʃʃiˈmento]) was a period in Italian history during the 15th and 16th centuries. The period and place are known for the initial development of the broader Renaissance culture that spread from Italy to the rest of Europe (and also to extra-European territories ruled by colonial powers or where Christian missionaries and/or traders were active). The period was one of transition: it sits between the Middle Ages and the modern era. Proponents of a "long Renaissance" argue that it started around the year 1300 and lasted until about 1600. In some fields, a Proto-Renaissance, beginning around 1250, is typically accepted. The French word renaissance (corresponding to rinascimento in Italian) means 'rebirth', and defines the period as one of cultural revival and renewed interest in classical antiquity after the centuries during what Renaissance humanists labelled as the "Dark Ages". The Italian Renaissance historian Giorgio Vasari used the term rinascita ('rebirth') in his Lives of the Most Excellent Painters, Sculptors, and Architects in 1550, but the concept became widespread only in the 19th century, after the work of scholars such as Jules Michelet and Jacob Burckhardt.

The Renaissance began in Tuscany in Central Italy and centered in the city of Florence. The Florentine Republic, one of the several city-states of the peninsula, rose to economic and political prominence by providing credit to European monarchs and by laying the groundwork for developments in capitalism and banking. Renaissance culture later spread to Venice, the heart of a Mediterranean empire controlling trade routes with the east since its participation in the Crusades and following the journeys of Marco Polo between 1271 and 1295. Thus Italy renewed contact with the remains of ancient Greek culture, which provided humanist scholars with new texts. Finally the Renaissance had a significant effect on the Papal States and on Rome, largely rebuilt by humanist and Renaissance popes, such as Julius II and Leo X, who frequently became involved in Italian politics, in arbitrating disputes between competing colonial powers and in opposing the Protestant Reformation, which started c. 1517.

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Venice in the context of Late Roman army

In modern scholarship, the "late" period of the Roman army begins with the accession of the Emperor Diocletian in AD 284, and ends in 480 with the death of Julius Nepos, being roughly coterminous with the Dominate. During the period 395–476, the army of the Roman Empire's western half progressively disintegrated, while its counterpart in the East, known as the East Roman army (or the early Byzantine army) remained largely intact in size and structure until the reign of Justinian I (r. AD 527–565).

The Imperial Roman army of the Principate (30 BC – 284 AD) underwent a significant transformation as a result of the chaotic 3rd century. Unlike the army of the Principate, the army of the 4th century was heavily dependent on conscription and its soldiers were paid much less than in the 2nd century. Barbarians from outside the empire probably supplied a much larger proportion of the late army's recruits than in the army of the 1st and 2nd centuries, but there is little evidence that this adversely affected the army's combat performance.

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Venice in the context of Veneto

Veneto, officially the Region of Veneto, is one of the 20 regions of Italy, located in the north-east of the country. It is the 4th most populous region in Italy, with a population of 4,851,851 as of 2025. Venice is the region's capital while Verona is the largest city.

Veneto was part of the Roman Empire until the 5th century AD. Later, after a feudal period, it was part of the Republic of Venice until 1797. Venice ruled for centuries over one of the largest and richest maritime republics and trade empires in the world. After the Napoleonic Wars and the Congress of Vienna, the former Republic was combined with Lombardy and re-annexed to the Austrian Empire as the Kingdom of Lombardy–Venetia, until that was merged with the Kingdom of Italy in 1866, as a result of the Third Italian War of Independence and of a plebiscite.

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Venice in the context of Andrea del Verrocchio

Andrea del Verrocchio (/vəˈrki/ və-ROH-kee-oh, US also /-ˈrɔːk-/ -⁠RAW-, Italian: [anˈdrɛːa del verˈrɔkkjo]; born Andrea di Michele di Francesco de' Cioni; c. 1435 – 1488) was an Italian sculptor, painter and goldsmith who was a master of a workshop in Florence. He was the teacher of Leonardo da Vinci, with whom he painted the Baptism of Christ.

He became known as Verrocchio after the surname of his master, a goldsmith. Few paintings are attributed to him with certainty, but his pupils also included Pietro Perugino and Lorenzo di Credi. His was a sculptor and sculpted the Equestrian statue of Bartolomeo Colleoni in Venice.

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Venice in the context of Canal

Canals or artificial waterways are waterways or engineered channels built for drainage management (e.g. flood control and irrigation) or for conveyancing water transport vehicles (e.g. water taxi). They carry free, calm surface flow under atmospheric pressure, and can be thought of as artificial rivers.

In most cases, a canal has a series of dams and locks that create reservoirs of low speed current flow. These reservoirs are referred to as slack water levels, often just called levels. A canal can be called a navigation canal when it parallels a natural river and shares part of the latter's discharges and drainage basin, and leverages its resources by building dams and locks to increase and lengthen its stretches of slack water levels while staying in its valley.

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Venice in the context of Greek Orthodox Archdiocese of Italy and Malta

The Greek Orthodox Archdiocese of Italy (and Malta from 2005 until the creation of the Exarchate of Malta in 2021), officially the Sacred Orthodox Archdiocese of Italy and Exarchate of Southern Europe (Italian: Sacra Arcidiocesi Ortodossa d'Italia ed Esarcato per l'Europa Meridionale), is a diocese of the Ecumenical Patriarchate of Constantinople with its see in Venice. The diocese was created in 1991.

The current archbishop and exarch is Polykarpos Stavropoulos.

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Venice in the context of Modern Greek Enlightenment

The Modern Greek Enlightenment (also known as the Neo-Hellenic Enlightenment; Greek: Διαφωτισμός, Diafotismós / Νεοελληνικός Διαφωτισμός, Neoellinikós Diafotismós) was the Greek expression of the Age of Enlightenment, characterized by an intellectual and philosophical movement within the Greek community. At this time, many Greeks were dispersed across the Ottoman Empire, with some residing on the Ionian Islands, in Venice, and other parts of Italy. Leonardos Philaras, one of the early advocates for Greek independence, played a significant role before the movement truly gained momentum following his death.

Throughout the Ottoman Empire, Greeks frequently participated in uprisings. Many Greeks living in Venice fought for the Venetian Empire against the Ottomans. Notable Greek painters in Venice who took part in these conflicts included Victor (painter), Philotheos Skoufos, and Panagiotis Doxaras. During the Modern Greek Enlightenment, Greek painting underwent a significant transformation. The traditional Byzantine-Venetian style, which had been dominant in the Cretan School, began to wane in favor of the Heptanese School's new approach. Painters like Doxaras pioneered this shift, moving away from the egg tempera technique and embracing oil painting, thus revolutionizing Greek art.

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Venice in the context of Acqua alta

An acqua alta (/ˌækwə ˈæltə/, Italian: [ˈakkwa ˈalta] ; lit.'high water') is an exceptional tide peak that occurs periodically in the northern Adriatic Sea. The term is applied to such tides in the Italian region of Veneto. The peaks reach their maximum in the Venetian Lagoon, where they cause partial flooding of Venice and Chioggia; flooding also occurs elsewhere around the northern Adriatic, for instance at Grado and Trieste, but much less often and to a lesser degree.

The phenomenon occurs mainly between autumn and spring, when the astronomical tides are reinforced by the prevailing seasonal winds that hamper the usual reflux. The main winds involved are the sirocco, which blows northbound along the Adriatic Sea, and the bora, which has a specific local effect due to the shape and location of the Venetian Lagoon.

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Venice in the context of Kythira

Kythira (/kɪˈθɪərə, ˈkɪθɪrə/ kih-THEER-ə, KITH-irr-ə; Greek: Κύθηρα [ˈciθira]), also transliterated as Cythera, Kythera and Kithira, is an island in Greece lying opposite the south-eastern tip of the Peloponnese peninsula. It is traditionally listed as one of the seven main Ionian Islands, although it is distant from the main group. Administratively, it belongs to the Islands regional unit, which is part of the Attica region, despite its distance from the Saronic Islands, around which the rest of Attica is centered. As a municipality, it includes the island of Antikythera to the south.

The island is strategically located between the Greek mainland and Crete, and from ancient times until the mid-19th century was a crossroads of merchants, sailors, and conquerors. As such, it has had a long and varied history and has been influenced by many civilizations and cultures. This is reflected in its architecture (a blend of traditional, Aegean and Venetian elements), as well as the traditions and customs, influenced by centuries of coexistence of the Greek, and Venetian cultures.

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