Venetian glass in the context of "Medieval Egypt"

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⭐ Core Definition: Venetian glass

Venetian glass (Italian: vetro veneziano) is glassware made in Venice, typically on the island of Murano near the city. Traditionally it is made with a soda–lime "metal" and is typically elaborately decorated, with various "hot" glass-forming techniques, as well as gilding, enamel, or engraving. Production has been concentrated on the Venetian island of Murano since the 13th century. Today Murano is known for its art glass, but it has a long history of innovations in glassmaking in addition to its artistic fame—and was Europe's major center for luxury glass from the High Middle Ages to the Italian Renaissance. During the 15th century, Murano glassmakers created cristallo—which was almost transparent and considered the finest glass in the world. Murano glassmakers also developed a white-colored glass (milk glass called lattimo) that looked like porcelain. They later became Europe's finest makers of mirrors.

During the Early Middle Ages, Venice was originally controlled by the Eastern Roman Empire before eventually becoming an independent city state. It flourished as a trading center and seaport in the High Middle Ages. Its connections with the Middle East helped its glassmakers gain additional skills, as glassmaking was more advanced in areas such as Syria and Egypt. Although Venetian glassmaking in factories existed as far back as the eighth century, it became concentrated in Murano by law beginning in 1291, in part because glass factories often caught fire, and moving all of them to one island removed much of the possibility of a major fire disaster for the rest of the city. Another reason for moving the glassmakers to Murano was that Venetian glassmakers developed secret recipes and methods for making glass, and the concentration of Venice's glassmaking on the island of Murano enabled better control of those secrets.

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Venetian glass in the context of Glass engraving

Engraved glass is a type of decorated glass that involves shallowly engraving the surface of a glass object, either by holding it against a rotating wheel, or manipulating a "diamond point" in the style of an engraving burin. It is a subgroup of glass art, which refers to all artistic glass, much of it made by "hot" techniques such as moulding and blowing melting glass, and with other "cold" techniques such as glass etching which uses acidic, caustic, or abrasive substances to achieve artistic effects, and cut glass, which is cut with an abrasive wheel, but more deeply than in engraved glass, where the engraving normally only cuts deeply enough into the surface to leave a mark. Usually the engraved surface is left "frosted" so a difference is visible, while in cut glass the cut surface is polished to restore transparency. Some pieces may combine two or more techniques.

There are several different techniques of glass engraving. It has been practised since ancient times, including Roman glass, and professionally engraved glass has always been an expensive luxury, requiring lavish amounts of labour by a highly skilled craftsman or artist. In recent centuries the most notable periods and places of production started in the 16th century, initially mostly in Venetian glass, then later in Germany and Bohemian glass. From about 1645 it was used in the Netherlands, which was producing the finest engraving by 1700, by which time some engraving was used in most glass-making centres in Europe. The late 17th and early 18th centuries were in some ways the peak period of achievement and popularity. From 1730 onwards it received some competition from the new geometric cut glass style developed in England. These related techniques were often combined in a single piece, but the engraving tended to be relegated to less prominent positions.

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Venetian glass in the context of Murrine

Murrine (singular: murrina) are colored patterns or images made in a glass cane that are revealed when the cane is cut into thin cross-sections. Murrine can be made in infinite designs from simple circular or square patterns to complex detailed designs to even portraits of people. One familiar style is the flower or star shape which, when used together in large numbers from a number of different canes, is called millefiori.

Murrine production first appeared in the Middle East more than 4,000 years ago and was revived by Venetian glassmakers on Murano in the early 16th century.

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Venetian glass in the context of Islamic glass

Islamic glass is glass made in the Islamic world, especially in periods up to the 19th century. It built on pre-Islamic cultures in the Middle East, especially ancient Egyptian, Persian and Roman glass, and developed distinct styles, characterized by the introduction of new techniques and the reinterpreting of old traditions. It came under European influence by the end of the Middle Ages, with imports of Venetian glass documented by the late 15th century.

It rarely has religious content, other than inscriptions, although the mosque lamp was mainly used in religious contexts, to light mosques, but it uses the decorative styles of Islamic art from the same times and places. The makers were not necessarily Muslims themselves.

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