Vatican Museum in the context of The Last Judgement (Michelangelo)


Vatican Museum in the context of The Last Judgement (Michelangelo)

⭐ Core Definition: Vatican Museum

The Vatican Museums (Italian: Musei Vaticani; Latin: Musea Vaticana) are the public museums of the Vatican City. They display works from the immense collection amassed by the Catholic Church and the papacy throughout the centuries, including several of the best-known Roman sculptures and most important masterpieces of Renaissance art in the world. The museums contain roughly 70,000 works, of which 20,000 are on display, and currently employ 640 people who work in 40 different administrative, scholarly, and restoration departments.

Pope Julius II founded the museums in the early 16th century. The Sistine Chapel, with its ceiling and altar wall decorated by Michelangelo, and the Stanze di Raffaello (decorated by Raphael) are on the visitor route through the Vatican Museums, considered among the most canonical and distinctive works of Western and European art.

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Vatican Museum in the context of Amalthea (mythology)

In Greek mythology, Amalthea or Amaltheia (Ancient Greek: Ἀμάλθεια) is the figure most commonly identified as the nurse of Zeus during his infancy. She is described either as a nymph who raises the child on the milk of a goat, or, in some accounts from the Hellenistic period onwards, as the goat itself.

As early as the archaic period, there exist references to the "horn of Amalthea" (known in Latin as the cornucopia), a magical horn said to be capable of producing endless amounts of any food or drink desired. In a narrative attributed to the mythical poet Musaeus, and likely dating to the 4th century BC or earlier, Amalthea, a nymph, nurses the infant Zeus and owns a goat which is terrifying in appearance. After Zeus reaches adulthood, he uses the goat's skin as a weapon in his battle against the Titans. Amalthea is first described as a goat by the 3rd-century BC poet Callimachus, who presents a rationalised version of the myth, in which Zeus is fed on Amalthea's milk. Aratus, also writing in the 3rd century BC, identifies Amalthea with the star Capella, and describes her as "Olenian" (the meaning of which is unclear).

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Vatican Museum in the context of Salus Populi Romani

Salus Populi Romani (English: Protectress of the Roman people, also known as the Salvific Health of the Roman people) is a Roman Catholic title associated with the venerated image of the Blessed Virgin Mary in Rome. This Byzantine icon of the Madonna and Child Jesus holding a Gospel book on a gold ground, now heavily overpainted, is kept in the Borghese (Pauline) Chapel of the Basilica of Saint Mary Major.

The image arrived in Rome in 590 A.D. during the reign of Pope Gregory I. Pope Gregory XVI granted the image a canonical coronation on 15 August 1838 through the Papal bull Cælestis Regina Maxima. Pope Pius XII crowned the image again for the secondary time and ordered a public religious procession during the Marian year of 1 November 1954. The image was cleaned and restored by the Vatican Museum, then given a Pontifical Mass on 28 January 2018.

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Vatican Museum in the context of Sarcophagus of Lucius Cornelius Scipio Barbatus

The sarcophagus of Lucius Cornelius Scipio Barbatus, consul in 298 B.C., is a solid tuff burial coffin, once located in the Tomb of the Scipios. It is now found in the Vestibolo Quadrato of the Pio-Clementine Museum in the Vatican Museum complex.

The name is incised on the lid (CIL VI 1284) and the epitaph (CIL VI 1285) on the front of the only intact sarcophagus (some of the decorative detail has been restored). The letters were originally painted red. A Doric-style decorative panel is above the inscription featuring roses alternating with column-like triglyphs. The top of the sarcophagus is modeled as a cushion.

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