Vanity Fair (American magazine 1913–1936) in the context of Tales of the Jazz Age

Vanity Fair is an American monthly magazine of popular culture, fashion, and current affairs published by Condé Nast in the United States.

The first version of Vanity Fair was published from 1913 to 1936, then it was merged into Vogue. Conde Nast revived the title in 1983. Vanity Fair currently publishes four international editions of the magazine. The four international editions of the magazine are the United Kingdom (since 1991), Italy (since 2003), Spain (since 2008), France (since 2013).

Edmund Wilson Jr. (May 8, 1895 – June 12, 1972) was an American writer, literary critic, and journalist. He is widely regarded as one of the most important literary critics of the 20th century. Wilson began his career as a journalist, writing for publications such as Vanity Fair and The New Yorker. He helped to edit The New Republic, served as chief book critic for The New Yorker, and was a frequent contributor to The New York Review of Books.

His notable works include Axel's Castle (1931), described by Joyce Carol Oates as "a groundbreaking study of modern literature." Oates writes that Wilson "encroached fearlessly on areas reserved for academic 'experts': early Christianity in The Dead Sea Scrolls (1955), native American civilization in Apologies to the Iroquois (1960), and the American Civil War in Patriotic Gore (1962)."

Edward Jean Steichen (Luxembourgish: [ˈʃtɑɪ̯ɕən]; March 27, 1879 – March 25, 1973) was a Luxembourgish American photographer, painter and curator and a pioneer of fashion photography. His gown images for the magazine Art et Décoration in 1911 were the first modern fashion photographs to be published. From 1923 to 1938, Steichen served as chief photographer for the Condé Nast magazines Vogue and Vanity Fair, while also working for many advertising agencies, including J. Walter Thompson. During these years, Steichen was regarded as the most popular and highest-paid photographer in the world.

After the United States' entry into World War II, Steichen was invited by the United States Navy to serve as Director of the Naval Aviation Photographic Unit. In 1944, he directed the war documentary The Fighting Lady, which won the Academy Award for Best Documentary Feature at the 17th Academy Awards.