Vampire in the context of "Horror fiction"

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⭐ Core Definition: Vampire

A vampire is a mythical creature that subsists by feeding on the vital essence (generally in the form of blood) of the living. In European folklore, vampires are undead humanoid creatures that often visited loved ones and caused mischief or deaths in the neighbourhoods which they inhabited while they were alive. They wore shrouds and were often described as bloated and of ruddy or dark countenance, markedly different from today's gaunt, pale vampire which dates from the early 19th century.

Vampiric entities have been recorded in cultures around the world, but the term vampire was first popularized in Western Europe following reports of an 18th-century mass hysteria drawing on a pre-existing folk belief in Southeastern and Eastern Europe. This delusion led, in certain cases, not only to individuals being accused of vampirism, but also to the corpses of such suspected vampires being pierced with stakes.Local variants in Southeastern Europe were also known by different names, such as shtriga in Albania, vrykolakas in Greece and strigoi in Romania, cognate with Italian strega, meaning 'witch'.

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👉 Vampire in the context of Horror fiction

Horror is a genre of speculative fiction that is intended to disturb, frighten, or scare an audience. Horror is often divided into the sub-genres of psychological horror and supernatural horror. Literary historian J. A. Cuddon, in 1984, defined the horror story as "a piece of fiction in prose of variable length ... which shocks, or even frightens the reader, or perhaps induces a feeling of repulsion or loathing". Horror intends to create an eerie and frightening atmosphere for the reader. Often the central menace of a work of horror fiction can be interpreted as a metaphor for larger fears of a society.

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Vampire in the context of Monster

A monster is a type of imaginary or fictional creature found in literature, folklore, mythology, horror, fantasy, fiction and religion. They are very often depicted as dangerous and aggressive, with a strange or grotesque appearance that causes terror and fear, often in humans. Monsters usually resemble bizarre, deformed, otherworldly and/or mutated animals or entirely unique creatures of varying sizes, but may also take a human form, such as mutants, ghosts, spirits, vampires or zombies, among other things. They may or may not have supernatural powers, but are usually capable of killing or causing some form of destruction, threatening the social or moral order of the human world in the process.

Animal monsters are outside the moral order, but sometimes have their origin in some human violation of the moral law (e.g. in the Greek myth, Minos does not sacrifice to Poseidon the white bull which the god sent him, so as punishment Poseidon makes Minos' wife, Pasiphaë, fall in love with the bull. She copulates with the beast, and gives birth to the man with a bull's head, the Minotaur). Human monsters are those who by birth were never fully human (Medusa and her Gorgon sisters) or who through some supernatural or unnatural act lost their humanity (werewolves, Frankenstein's monster), and so who can no longer, or who never could, follow the moral law of human society.

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Vampire in the context of Count Dracula

Count Dracula (/ˈdrækjʊlə, -jə-/) is the title character and main antagonist of Bram Stoker's gothic horror novel Dracula (1897). He is considered the prototypical and archetypal vampire in subsequent works of fiction. Aspects of the character are believed by some to have been inspired by the 15th-century Wallachian prince Vlad the Impaler, who was also known as Vlad Dracula, and by Sir Henry Irving and Jacques Damala, actors with aristocratic backgrounds that Stoker had met during his life. Count Dracula is one of the best-known fictional figures of the Victorian era.

One of Dracula's most famous powers is his ability to turn others into vampires by biting them and infecting them with the vampiric disease. Other characteristics have been added or altered in subsequent popular fictional works, including books, films, cartoons, and video games.

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Vampire in the context of Kulak

Kulak (/ˈklæk/ KOO-lak; Russian: кула́к, romanized: kulák, IPA: [kʊˈɫak] ; plural: кулаки́, kulakí, 'fist' or 'tight-fisted'), also kurkul (Ukrainian: куркуль) or golchomag (Azerbaijani: qolçomaq, plural: qolçomaqlar), was the term which was used to describe peasants who owned over 3 ha (8 acres) of land towards the end of the Russian Empire. In the early Soviet Union, particularly in Soviet Russia and Azerbaijan, kulak referred to property ownership among peasants who were considered hesitant allies of the Bolshevik Revolution. In Ukraine during 1930–1931, there also existed a term of podkulachnik (almost wealthy peasant); these were considered "sub-kulaks".

Kulaks referred to former peasants in the Russian Empire who became landowners and credit-loaners after the abolition of serfdom in 1861 and during the Stolypin reform of 1906 to 1914, which aimed to reduce radicalism amongst the peasantry and produce profit-minded, politically conservative farmers. During the Russian Revolution, kulak was used to chastise peasants who withheld grain from the Bolsheviks. According to Marxist–Leninist political theories of the early 20th century, the kulaks were considered class enemies of the poorer peasants. Vladimir Lenin described them as "bloodsuckers, vampires, plunderers of the people and profiteers, who fatten themselves during famines", declaring revolution against them.

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Vampire in the context of Dracula (1924 play)

Dracula is a stage play written by the Irish actor and playwright Hamilton Deane in 1924, then revised by the American writer John L. Balderston in 1927. It was the first authorized adaptation of Bram Stoker's 1897 novel Dracula. After touring in England, the original version of the play appeared at London's Little Theatre in July 1927, where it was seen by the American producer Horace Liveright. Liveright asked Balderston to revise the play for a Broadway production that opened at the Fulton Theatre in October 1927. This production starred Bela Lugosi in his first major English-speaking role.

In the revised story, Abraham Van Helsing investigates the mysterious illness of a young woman, Lucy Seward, with the help of her father and fiancé. He discovers she is the victim of Count Dracula, a powerful vampire who is feeding on her blood. The men follow one of Dracula's servants to the vampire's hiding place, where they kill him with a stake to the heart.

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Vampire in the context of Nosferatu, eine Symphonie des Grauens

Nosferatu: A Symphony of Horror (German: Nosferatu – Eine Symphonie des Grauens) is a 1922 silent German Expressionist vampire film directed by F. W. Murnau from a screenplay by Henrik Galeen. It stars Max Schreck as Count Orlok, a vampire who preys on the wife (Greta Schröder) of his estate agent (Gustav von Wangenheim) and brings the plague to their town.

Nosferatu was produced by Prana Film and is an unauthorized adaptation of Bram Stoker's 1897 novel Dracula. Various names and other details were changed from the novel, including Count Dracula being renamed Count Orlok. Although those changes are often represented as a defense against copyright infringement accusations, the original German intertitles acknowledged Dracula as the source. Film historian David Kalat states in his commentary track that since the film was "a low-budget film made by Germans for German audiences... setting it in Germany with German-named characters makes the story more tangible and immediate for German-speaking viewers".

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Vampire in the context of Count Orlok

Count Orlok (German: Graf Orlok; Romanian: Contele Orlok; Hungarian: Orlok gróf) is a fictional character who first appeared in the silent film Nosferatu (1922) directed by F. W. Murnau. Based on Bram Stoker's Count Dracula, he is played by German actor Max Schreck, and is depicted as a repulsive vampire descended from Belial, who leaves his homeland of Transylvania to spread the plague in the idyllic city of Wisborg in Biedermeier-period Germany, only to find death at the hands of a self-sacrificing woman.

Count Orlok would reappear in remakes, played by Klaus Kinski, Doug Jones and Bill Skarsgård, as well as in comic book adaptations and sequels. He is also a character in SpongeBob SquarePants, debuting in the season 2 episode "Graveyard Shift". Orlok's distinct appearance, which is closer to that of vampires of Eastern European folklore than to traditional depictions of Dracula, influenced numerous later vampire designs, including those of Salem's Lot, Buffy the Vampire Slayer and the Blade film franchise, typically in order to distance the creatures from their more conventionally humanized or charming counterparts.

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Vampire in the context of Max Schreck

Friedrich Gustav Maximilian Schreck (6 September 1879 – 20 February 1936), was a German actor, best known for his lead role as the vampire Count Orlok in the film Nosferatu (1922).

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