Ur III in the context of "Middle chronology"

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⭐ Core Definition: Ur III

The Third Dynasty of Ur or Ur III was a Mesopotamian dynasty based in the city of Ur in the 21st century BC (middle chronology). For a short period they were the preeminent power in Mesopotamia and their realm is sometimes referred to by historians as the Neo-Sumerian Empire.

The Third Dynasty of Ur is commonly abbreviated as "Ur III" by historians studying the period. It is numbered in reference to previous "dynasties" of Ur according to the historical reconstruction of the Mesopotamian past written in the Sumerian King List, such as the First Dynasty of Ur (26–25th century BC), but it seems the once supposed Second Dynasty of Ur was never recorded.

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Ur III in the context of Cedar Forest

The Cedar Forest (π’„‘π’‚žπ’„‘π’ŒgiΕ‘ eren giΕ‘ tir) is the glorious realm of the gods of Mesopotamian mythology. It is guarded by the demigod Humbaba and was once entered by the hero Gilgamesh who dared cut down cedar trees from its virgin stands during his quest for fame. The Cedar Forest is described in Tablets 4–6 of the Epic of Gilgamesh. Earlier descriptions come from the Ur III poem Gilgamesh and Huwawa.

The Sumerian poems of his deeds say that Gilgamesh traveled east, presumably, to the Zagros Mountains of Iran (ancient Elam) to the cedar forest, yet the later more extensive Babylonian examples place the cedar forests west in Lebanon.

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Ur III in the context of Dialogue between a Man and His God

The Dialogue between a Man and His God is the earliest known text to address the answer to the question of why a god permits evil, or theodicy, a reflection on human suffering. It is a piece of Wisdom Literature extant on a single clay cuneiform tablet written in Akkadian and attributed to Kalbanum, on the last line, an individual otherwise unknown. It is dated to the latter part of the Old Babylonian period, around the reign of Ammi-Ditana (reigned 1683–1640s BC) according to Lambert, and is currently housed in the Louvre Museum, accession number AO 4462. It is of unknown provenance as it was purchased from an antiquities dealer by the Museum in 1906. It shares much of its style with an earlier Sumerian work, β€œMan and His God”, a penitential prayer of the Ur III period.

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