Unreliable narrator in the context of Poioumenon

Thriller is a genre of fiction with numerous, often overlapping, subgenres, including crime, horror, and detective fiction. Thrillers are characterized and defined by the moods they elicit, giving their audiences heightened feelings of suspense, excitement, surprise, anticipation and anxiety. This genre is well suited to film and television.

A thriller generally keeps its audience on the "edge of their seats" as the plot builds towards a climax. The cover-up of important information is a common element. Literary devices such as red herrings, plot twists, unreliable narrators, and cliffhangers are used extensively. A thriller is often a villain-driven plot, whereby they present obstacles that the protagonist or hero must overcome.

William Seward Burroughs II (/ˈbʌroʊz/; February 5, 1914 – August 2, 1997) was an American writer and visual artist. He is widely considered a primary figure of the Beat Generation and a major postmodern author who influenced both underground and popular culture and literature. Much of Burroughs' work is highly experimental and features unreliable narrators. Also noted as semi-autobiographical, his work often drew from his experiences with drug addiction, and featured his various places of residence as settings in much of his work. With Brion Gysin, Burroughs popularized the cut-up, an aleatory literary technique. His writing also engaged frequent mystical, occult, or otherwise magical themes, constant preoccupations in both his fiction and real life.

Born into a wealthy family in St. Louis, Missouri, Burroughs attended Harvard University, where he studied English, then anthropology as a postgraduate, and went on to medical school in Vienna. In 1942, he enlisted in the U.S. Army to serve during World War II. After being turned down by both the Office of Strategic Services and the Navy, he veered into substance abuse, beginning with morphine and developing a heroin addiction that would affect him for the rest of his life. In 1943, he befriended Allen Ginsberg and Jack Kerouac while living in New York City. This liaison would become the foundation of the Beat Generation, later a defining influence on the 1960s counterculture.

Alonso Quijano (Spanish: [aˈlonso kiˈxano]; spelled Quixano in English and in the Spanish of Cervantes' day, pronounced [aˈlons̺o kiˈʃano]), more commonly known by his pseudonym Don Quixote, is a fictional character and the protagonist of the novel Don Quixote de la Mancha by Miguel de Cervantes.

At the outset of the work (Chapter 1 of Part I) we are informed that there is confusion about what his name is. Some (imaginary) authors, the text says, disagree about whether his name was Quijada ("jaw") or Quesada, although by reasoning ("conjeturas verosímiles") one could arrive at the name Quijana. At this point, Quijano is not even mentioned as a possibility, nor is Alonso, hinting the reader into one of the most notable yet purposefully obfuscated examples of an unreliable narrator. In Chapter 49 of Part I he tells us that he was a direct descendant of Gutierre Quijada. His "real" name of Alonso Quijano is only revealed in the last chapter of Part II, and with the stated purpose of demonstrating the falseness of the spurious Part II of the pseudonymous Alonso Fernández de Avellaneda, in which work the protagonist is Martín Quijada.

Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, and intertextuality, and which often thematizes both historical and political issues. This style of experimental literature emerged strongly in the United States in the 1960s through the writings of authors such as Kurt Vonnegut, Thomas Pynchon, William Gaddis, Philip K. Dick, Kathy Acker, and John Barth. Postmodernists often challenge authorities, which has been seen as a symptom of the fact that this style of literature first emerged in the context of political tendencies in the 1960s. This inspiration is, among other things, seen through how postmodern literature is highly self-reflexive about the political issues it speaks to.

Precursors to postmodern literature include Miguel de Cervantes' Don Quixote (1605–1615), Laurence Sterne's Tristram Shandy (1760–1767), James Hogg's Private Memoires and Convessions of a Justified Sinner (1824), Thomas Carlyle's Sartor Resartus (1833–1834), and Jack Kerouac's On the Road (1957), but postmodern literature was particularly prominent in the 1960s and 1970s. In the 21st century, American literature still features a strong current of postmodern writing, like the postironic Dave Eggers' A Heartbreaking Work of Staggering Genius (2000), and Jennifer Egan's A Visit from the Goon Squad (2011). These works also further develop the postmodern form.

A story within a story, also referred to as an embedded narrative, is a literary device in which a character within a story becomes the narrator of a second story (within the first one). Multiple layers of stories within stories are sometimes called nested stories. A play may have a brief play within it, such as in Shakespeare's play Hamlet; a film may show the characters watching a short film; or a novel may contain a short story within the novel. A story within a story can be used in all types of narration including poems, and songs.

Stories within stories can be used simply to enhance entertainment for the reader or viewer, or can act as examples to teach lessons to other characters. The inner story often has a symbolic and psychological significance for the characters in the outer story. There is often some parallel between the two stories, and the fiction of the inner story is used to reveal the truth in the outer story. Often the stories within a story are used to satirize views, not only in the outer story, but also in the real world. When a story is told within another instead of being told as part of the plot, it allows the author to play on the reader's perceptions of the characters—the motives and the reliability of the storyteller are automatically in question.

Vanity Fair is a novel by the English author William Makepeace Thackeray, which follows the lives of Becky Sharp and Amelia Sedley amid their friends and families during and after the Napoleonic Wars. It was first published as a 19-volume monthly serial (the last containing Parts 19 and 20) from 1847 to 1848, carrying the subtitle Pen and Pencil Sketches of English Society, which reflects both its satirisation of early 19th-century British society and the many illustrations drawn by Thackeray to accompany the text. It was published as a single volume in 1848 with the subtitle A Novel without a Hero, reflecting Thackeray's interest in deconstructing his era's conventions regarding literary heroism. It is sometimes considered the "principal founder" of the Victorian domestic novel.

The story is framed as a puppet play, and the narrator, despite being an authorial voice, is somewhat unreliable. The serial was a popular and critical success; the novel is now considered a classic and has inspired several audio, film, and television adaptations. It also inspired the title of the British lifestyle magazine first published in 1868, which became known for its caricatures of famous people of Victorian and Edwardian society. In 2003, Vanity Fair was listed at No. 122 on the BBC's The Big Read poll of the UK's best-loved books.

William Seward Burroughs II (/ˈbʌroʊz/; February 5, 1914 – August 2, 1997) was an American writer and visual artist. He is widely considered a primary figure of the Beat Generation and a major postmodern author who influenced both underground and popular culture and literature. Much of Burroughs's work is highly experimental and features unreliable narrators. Also noted as semi-autobiographical, his work often drew from his experiences with drug addiction, and featured his various places of residence as settings in much of his work. With Brion Gysin, Burroughs popularized the cut-up, an aleatory literary technique. His writing also engaged frequent mystical, occult, or otherwise magical themes, constant preoccupations in both his fiction and real life.

Born into a wealthy family in St. Louis, Missouri, Burroughs attended Harvard University, where he studied English, then anthropology as a postgraduate, and went on to medical school in Vienna. In 1942, he enlisted in the U.S. Army to serve during World War II. After being turned down by both the Office of Strategic Services and the Navy, he veered into substance abuse, beginning with morphine and developing a heroin addiction that would affect him for the rest of his life. In 1943, he befriended Allen Ginsberg and Jack Kerouac while living in New York City. This liaison would become the foundation of the Beat Generation, later a defining influence on the 1960s counterculture.

Charles Kinbote is a fictional character who acts as the unreliable narrator in Vladimir Nabokov's novel Pale Fire.

The Luck of Barry Lyndon is a picaresque novel by English author William Makepeace Thackeray, first published as a serial in Fraser's Magazine in 1844, about a member of the Irish gentry trying to become a member of the English aristocracy. Thackeray, who based the novel on the life and exploits of the Anglo-Irish rake and fortune-hunter Andrew Robinson Stoney, later reissued it under the title The Memoirs of Barry Lyndon, Esq. The novel is narrated by Lyndon himself, who functions as a quintessentially unreliable narrator.

The novel was adapted by Stanley Kubrick into his 1975 film Barry Lyndon.

The Sound and the Fury is a novel by the American author William Faulkner, published in 1929. Faulkner's fourth novel, it is the second to be set in Yoknapatawpha County and the first featuring the Compson family, both of which would reappear in his later fiction. The novel's highly experimental style, including its use of stream of consciousness and multiple different unreliable narrators, are hallmarks of modernist literature. Its bleak and candid portrait of Southern life in the early 20th century is paradigmatic of the Southern Gothic genre.

The Sound and the Fury centers around Quentin, Benjy, Jason, and Caddy Compson as their wealthy Mississippi family descends into chaos and disorder. Each of the siblings have unique problems that impact the others, such as Benjy's mental disability, Caddy's promiscuity, Quentin's anger, and Jason's impulsiveness. The history of the Compson family is primarily revealed through sudden, unannounced flashbacks, as most of the novel takes place on a single weekend in 1928.