Union of Crowns in the context of Crown of Ireland Act 1542

The formation of the United Kingdom of Great Britain and Northern Ireland has involved personal and political union across Great Britain and the wider British Isles. The United Kingdom is the most recent of a number of sovereign states that have been established in Great Britain at different periods in history, in different combinations and under a variety of polities. Historian Norman Davies has counted sixteen different states over the past 2,000 years.

By the start of the 16th century, the number of states in Great Britain had been reduced to two: the Kingdom of England (which included Wales and controlled Ireland) and the Kingdom of Scotland. The once independent Principality of Wales fell under the control of English monarchs from the Statute of Rhuddlan in 1284. The Union of Crowns in 1603, the accidental consequence of a royal marriage one hundred years earlier, united the kingdoms in a personal union, though full political union in the form of the Kingdom of Great Britain required a Treaty of Union in 1706 and Acts of Union in 1707 (to ratify the Treaty).

Scottish art is the body of visual art made in what is now Scotland, or about Scottish subjects, since prehistoric times. It forms a distinctive tradition within European art, but the political union with England has led its partial subsumation in British art.

The earliest examples of art from what is now Scotland are highly decorated carved stone balls from the Neolithic period. From the Bronze Age there are examples of carvings, including the first representations of objects, and cup and ring marks. More extensive Scottish examples of patterned objects and gold work are found the Iron Age. Elaborately carved Pictish stones and impressive metalwork emerged in Scotland the early Middle Ages. The development of a common style of Insular art across Great Britain and Ireland influenced elaborate jewellery and illuminated manuscripts such as the Book of Kells. Only isolated examples survive of native artwork from the late Middle Ages and of works created or strongly influenced by artists of Flemish origin. The influence of the Renaissance can be seen in stone carving and painting from the fifteenth century. In the sixteenth century the crown began to employ Flemish court painters who have left a portrait record of royalty. The Reformation removed a major source of patronage for art and limited the level of public display, but may have helped in the growth of secular domestic forms, particularly elaborate painting of roofs and walls. Although the loss of the court as a result of the Union of Crowns in 1603 removed another major source of patronage, the seventeenth century saw the emergence of the first significant native artists for whom names are extant, with figures such as George Jamesone and John Michael Wright.