Unconscious inference in the context of "Visual illusion"

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⭐ Core Definition: Unconscious inference

In perceptual psychology, unconscious inference (German: unbewusster Schluss), also referred to as unconscious conclusion, is a term coined in 1867 by the German physicist and polymath Hermann von Helmholtz to describe an involuntary, pre-rational and reflex-like mechanism which is part of the formation of visual impressions. While precursory notions have been identified in the writings of Thomas Hobbes, Robert Hooke, and Francis North (especially in connection with auditory perception) as well as in Francis Bacon's Novum Organum, Helmholtz's theory was long ignored or even dismissed by philosophy and psychology. It has since received new attention from modern research, and the work of recent scholars has approached Helmholtz's view.

Elaborate theoretical frameworks concerning unconscious inference have persisted for a thousand years, originating with Ibn al-Haytham, ca. 1030. These theories have enjoyed widespread acceptance for nearly four centuries, beginning with René Descartes' contributions in 1637. In the third and final volume of his Handbuch der physiologischen Optik (1856–1867, translated as Treatise on Physiological Optics in 1920-1925, available here), Helmholtz discussed the psychological effects of visual perception. His first example is that of the illusion of the Sun rotating around the Earth:

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Unconscious inference in the context of Optical illusion

In visual perception, an optical illusion (also called a visual illusion) is an illusion caused by the visual system and characterized by a visual percept that arguably appears to differ from reality. Illusions come in a wide variety; their categorization is difficult because the underlying cause is often not clear but a classification proposed by Richard Gregory is useful as an orientation. According to that, there are three main classes: physical, physiological, and cognitive illusions, and in each class there are four kinds: Ambiguities, distortions, paradoxes, and fictions. A classical example for a physical distortion would be the apparent bending of a stick half immersed in water; an example for a physiological paradox is the motion aftereffect (where, despite movement, position remains unchanged). An example for a physiological fiction is an afterimage. Three typical cognitive distortions are the Ponzo, Poggendorff, and Müller-Lyer illusion. Cognitive visual illusions are the result of unconscious inferences and are perhaps those most widely known.

Pathological visual illusions arise from pathological changes in the physiological visual perception mechanisms causing the aforementioned types of illusions; they are discussed e.g. under visual hallucinations.

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