Ukulele in the context of "Frets"

In music, strumming is a way of playing a stringed instrument such as a guitar, ukulele, or mandolin. A strum or stroke is a sweeping action where a finger or plectrum brushes over several strings to generate sound. On most stringed instruments, strums are typically executed by a musician's designated strum hand (typically the musician's dominant hand, which is often responsible for generating the majority of sound on a stringed instrument), while the remaining hand (referred to as the fret hand on most instruments with a fingerboard) often supports the strum hand by altering the tones and pitches of any given strum.

Strums are often contrasted with plucking, as a means of vibrating an instrument's strings. In plucking, a specific string or designated set of strings are individually targeted to vibrate, whereas in strumming, a less precise targeting is usually used. Compared to other plucking techniques, any group of strings brushed in a single sweep by a plectrum could be considered a strum due to the plectrum's less precise string group targeting (however, a plectrum might simultaneously pluck a small group of strings without being considered a strum). In contrast, a musician could utilize a technique with more precise string group targeting (such as a fingerstyle or fingerpick technique) to pluck all the strings on a stringed instrument at once and this would still be considered a pluck, not a strum.

The neck is the part of certain string instruments that projects from the main body and is the base of the fingerboard, where the fingers are placed to stop the strings at different pitches. Guitars, banjos, ukuleles, lutes, the violin family, and the mandolin family are examples of instruments which have necks. Necks are also an integral part of certain woodwind instruments, such as the saxophone.

The word for neck also sometimes appears in other languages in musical instructions. The terms include manche (French), manico (Italian), and Hals (German).

Plucked string instruments are a subcategory of string instruments that are played by plucking the strings. Plucking is a way of pulling and releasing the string in such a way as to give it an impulse that causes the string to vibrate. Plucking can be done with either a finger or a plectrum.

Most plucked string instruments belong to the lute family (such as guitar, bass guitar, mandolin, banjo, balalaika, sitar, pipa, etc.), which generally consist of a resonating body, and a neck; the strings run along the neck and can be stopped at different pitches.

A one-man band is a musician who plays a number of instruments simultaneously using their hands, feet, limbs, and various mechanical or electronic contraptions. One-man bands also often sing while they perform.

The simplest type of "one-man band" is a singer accompanying themselves on acoustic guitar and playing a harmonica mounted in a metal "harp rack" below the mouth. This approach is often taken by buskers and folk music singer-guitarists. More complicated setups may include wind instruments strapped around the neck, a large bass drum mounted on the musician's back with a beater which is connected to a foot pedal, cymbals strapped between the knees or triggered by a pedal mechanism, tambourines and maracas tied to the limbs, and a stringed instrument strapped over the shoulders (e.g., a banjo, ukulele or guitar).

Kalākaua (David Laʻamea Kamanakapuʻu Māhinulani Nālaʻiaʻehuokalani Lumialani Kalākaua; November 16, 1836 – January 20, 1891), was the last king and penultimate monarch of the Kingdom of Hawaiʻi, reigning from February 12, 1874, until his death in 1891. Succeeding Lunalilo, he was elected to the vacant throne of Hawaiʻi against Queen Emma. Kalākaua was known as the Merrie Monarch for his convivial personality – he enjoyed entertaining guests with his singing and ukulele playing. At his coronation and his birthday jubilee, the hula, which had hitherto been banned in public in the kingdom, became a celebration of Hawaiian culture.

During Kalākaua's reign, the Reciprocity Treaty of 1875 brought great prosperity to the kingdom. Its renewal continued the prosperity but allowed United States to have exclusive use of Pearl Harbor. In 1881, Kalākaua took a trip around the world to encourage the immigration of contract sugar plantation workers. He wanted Hawaiians to broaden their education beyond their nation. He instituted a government-financed program to sponsor qualified students to be sent abroad to further their education. Two of his projects, the statue of Kamehameha I and the rebuilding of ʻIolani Palace, were expensive endeavors but are popular tourist attractions today.