Eduardo De Filippo OMRI (Italian: [eduˈardo de fiˈlippo]; 26 May 1900 – 31 October 1984), also known mononymously as Eduardo, was an Italian actor, director, screenwriter, and playwright, best known for his Neapolitan works Filumena Marturano and Napoli milionaria. Considered one of the most important Italian artists of the 20th century, De Filippo was the author of many theatrical dramas staged and directed by himself first and later awarded and played outside Italy. For his artistic merits and contributions to Italian culture, he was named senator for life by the President of the Italian Republic Sandro Pertini.
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👉 Eduardo De Filippo in the context of Theatre of Italy
The theatre of Italy originates from the Middle Ages, with its background dating back to the times of the ancient Greek colonies of Magna Graecia, in southern Italy, the theatre of the Italic peoples and the theatre of ancient Rome. It can therefore be assumed that there were two main lines of which the ancient Italian theatre developed in the Middle Ages. The first, consisting of the dramatization of Catholic liturgies and of which more documentation is retained, and the second, formed by pagan forms of spectacle such as the staging for city festivals, the court preparations of the jesters and the songs of the troubadours.
Renaissance humanism was also a turning point for the Italian theatre. The recovery of the ancient texts, both comedies and tragedies, and texts referring to the art of the theatre such as Aristotle's Poetics, also gave a turning point to representational art, which re-enacted the Plautian characters and the heroes of Seneca's tragedies, but also building new texts in the vernacular.
In this Dossier
- ⭐ Core Definition: Eduardo De Filippo
- 👉 Eduardo De Filippo in the context of Theatre of Italy
- Eduardo De Filippo in the context of History of theatre
- Eduardo De Filippo in the context of Commedia dell'arte
- Eduardo De Filippo in the context of Filumena Marturano
- Eduardo De Filippo in the context of Filomena Marturano
- Eduardo De Filippo in the context of Marriage Italian Style
Eduardo De Filippo in the context of History of theatre
The history of theatre charts the development of theatre over the past 2,500 years. While performative elements are present in every society, it is customary to acknowledge a distinction between theatre as an art form and entertainment, and theatrical or performative elements in other activities. The history of theatre is primarily concerned with the origin and subsequent development of the theatre as an autonomous activity. Since classical Athens in the 5th century BC, vibrant traditions of theatre have flourished in cultures across the world.
Eduardo De Filippo in the context of Commedia dell'arte
Commedia dell'arte was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as commedia alla maschera, commedia improvviso, and commedia dell'arte all'improvviso. Commedia is characterized by masked "types" which are standardised archetypical characters shared across all productions and identified via their names, costumes, and functions in the comedy.
Commedia was responsible for the rise of actresses such as Isabella Andreini and improvised performances based on sketches or scenarios. A commedia, such as The Tooth Puller, contains both scripted and improvised portions; key plot points and characters' entrances and exits are scripted, but the actors may otherwise be expected to improvise new gags on stage. A special characteristic of commedia is the lazzo, a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of commedia is pantomime, which is mostly used by the character Arlecchino, now better known as Harlequin.
Eduardo De Filippo in the context of Filumena Marturano
Filumena Marturano (Neapolitan: [filuˈmɛːnə martuˈrɑːnə], Italian: [filuˈmɛːna martuˈraːno]), sometimes performed in English as The Best House in Naples, is a play written in 1946 by Italian playwright, actor and poet Eduardo De Filippo. It is the basis for the 1950 Spanish-language Argentine musical film Filomena Marturano, multiple Italian adaptations under its original title, and the 1964 film Marriage Italian Style.
Eduardo De Filippo in the context of Filomena Marturano
Filomena Marturano is a 1950 Argentine musical film directed by Luis Mottura. A production of the classical era of Argentine cinema, it is based on the theatrical piece Filumena Marturano by the Neapolitan actor and author Eduardo De Filippo, which had been previously performed in Argentina with great success by the company of Tita Merello. It was adapted by Ariel Cortazzo and María Cruz Regás. It starred Tita Merello, again, and Guillermo Battaglia.
Costumes were designed by Héctor Fernández Gómez.
Eduardo De Filippo in the context of Marriage Italian Style
Marriage Italian Style (Italian: Matrimonio all'italiana [matriˈmɔːnjo allitaˈljaːna]) is a 1964 romantic comedy-drama film directed by Vittorio De Sica, starring Sophia Loren and Marcello Mastroianni.
The film was adapted by Leonardo Benvenuti, Renato Castellani, Piero De Bernardi, and Tonino Guerra from the play Filumena Marturano by Eduardo De Filippo. Filumena Marturano had previously been adapted as a 1950 Argentine film.