Sint-Petrus-en-Pauluskerk in the context of "Gothic Revival architecture"

⭐ In the context of Gothic Revival architecture, the Sint-Petrus-en-Pauluskerk, if built during this period, would likely demonstrate a blending of which elements?

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⭐ Core Definition: Sint-Petrus-en-Pauluskerk

Sint-Petrus-en-Pauluskerk (Church of Saint Peter and Saint Paul) is a Roman Catholic church in Ostend, Belgium. The neo-Gothic building was constructed on the ashes of a previous church that occupied the site. King Leopold II enthusiastically supported a plan to build a new and more magnificent church. Construction started in 1899 and was completed and consecrated by Bishop Waffelaert on 31 August 1908. Its stained glass windows were destroyed during the two World Wars and were replaced by Michiel Martens. The church is 70 metres (230 ft) long and 30 metres (98 ft) wide. Its spires are 72 metres (236 ft) high.

The church was built in the neo-Gothic style according to plans by the architect Louis Delacenserie, who based his design on the Gothic Cologne Cathedral and the neo-Gothic Votivkirche in Vienna.

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👉 Sint-Petrus-en-Pauluskerk in the context of Gothic Revival architecture

Gothic Revival (also referred to as Victorian Gothic or Neo-Gothic) is an architectural movement that after a gradual build-up beginning in the second half of the 17th century became a widespread movement in the first half of the 19th century, mostly in England. Increasingly serious and learned admirers sought to revive medieval Gothic architecture, intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic Revival had become the pre-eminent architectural style in the Western world, only to begin to fall out of fashion in the 1880s and early 1890s.

For some in England, the Gothic Revival movement had roots that were intertwined with philosophical movements associated with Catholicism and a re-awakening of high church or Anglo-Catholic belief concerned by the growth of religious nonconformism. The "Anglo-Catholic" tradition of religious belief and style became known for its intrinsic appeal in the third quarter of the 19th century. Gothic Revival architecture varied considerably in its faithfulness to both the ornamental styles and construction principles of its medieval ideal, sometimes amounting to little more than pointed window frames and touches of neo-Gothic decoration on buildings otherwise created on wholly 19th-century plans, using contemporary materials and construction methods; most notably, this involved the use of iron and, after the 1880s, steel in ways never seen in medieval exemplars.

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