Typeface in the context of "Futura (typeface)"

In linguistics, a grapheme is the smallest functional unit of a writing system. The word grapheme is derived from Ancient Greek's gráphō ('write'), and the suffix -eme (by analogy with phoneme and other emic units). The study of graphemes is called graphemics. The concept of a grapheme is abstract; it is similar to the notion of a character in computing. (A specific geometric shape that represents any particular grapheme in a given typeface is called a glyph.) In orthographic and linguistic notation, a particular glyph (character) is represented as a grapheme (is used in its graphemic sense) by enclosing it within angle brackets: e.g. ⟨a⟩.

Typography is the art and technique of arranging type to make written language legible, readable and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths, line spacing, letter spacing, and spaces between pairs of letters. The term typography is also applied to the style, arrangement, and appearance of the letters, numbers, and symbols created by the process. Type design is a closely related craft, sometimes considered part of typography; most typographers do not design typefaces, and some type designers do not consider themselves typographers. Typography also may be used as an ornamental and decorative device, unrelated to the communication of information.

Typography is also the work of graphic designers, art directors, manga artists, comic book artists, and, now, anyone who arranges words, letters, numbers, and symbols for publication, display, or distribution, from clerical workers and newsletter writers to anyone self-publishing materials. Until the Digital Age, typography was a specialized occupation. Personal computers opened up typography to new generations of previously unrelated designers and lay users. As the capability to create typography has become ubiquitous, the application of principles and best practices developed over generations of skilled workers and professionals has diminished.

The cent is a monetary unit of many national currencies that equals a hundredth (1⁄100) of the basic monetary unit. The word derives from the Latin centum, 'hundred'.

The cent sign is commonly a simple minuscule (lower case) letter c. In North America, the c is crossed by a diagonal or vertical stroke (depending on typeface), yielding the character ¢.

The dollar sign, also known as the peso sign, is a currency symbol consisting of a capital ⟨S⟩ crossed with one or two vertical strokes ($ or depending on typeface), used to indicate the unit of various currencies around the world, including most currencies denominated "dollar" or "peso". The explicitly double-barred sign is called cifrão in the Portuguese language.

The sign is also used in several compound currency symbols, such as the Brazilian real (R$) and the United States dollar (US$): in local use, the nationality prefix is usually omitted. In countries that have other currency symbols, the US dollar is often assumed and the "US" prefix omitted.

A glyph (/ɡlɪf/ GLIF) is any kind of purposeful mark. In typography, a glyph is "the specific shape, design, or representation of a character". It is a particular graphical representation, in a particular typeface, of an element of written language. A grapheme, or part of a grapheme (such as a diacritic), or sometimes several graphemes in combination (a composed glyph) can be represented by a glyph.

Handwriting is the personal and unique style of writing with a writing instrument, such as a pen or pencil in the hand. Handwriting includes both block and cursive styles and is separate from generic and formal handwriting script/style, calligraphy or typeface. Because each person's handwriting is unique and different, it can be used to verify a document's writer. The deterioration of a person's handwriting is also a symptom or result of several different diseases. The inability to produce clear and coherent handwriting is also known as dysgraphia.

The incipit (/ˈɪnsɪpɪt/ IN-sip-it) of a text is the first few words of the text, employed as an identifying label. In a musical composition, an incipit is an initial sequence of notes, having the same purpose. The word incipit comes from Latin and means "it begins". Its counterpart taken from the ending of the text is the explicit (Latin: explicitum est, lit. 'it has been unfolded'). The unfolding refers to a papyrus scroll. The end is also referred to as desinit, 'it is finished'.

Before the development of titles, texts were often referred to by their incipits, as with for example Agnus Dei. During the medieval period in Europe, incipits were often written in a different script or colour from the rest of the work of which they were a part, and "incipit pages" might be heavily decorated with illumination. Though the word incipit is Latin, the practice of the incipit predates classical antiquity by several millennia and can be found in various parts of the world. Although not always called by the name of incipit today, the practice of referring to texts by their initial words remains commonplace.

Lettering or handlettering is a term for artfully drawing letters, instead of writing them simply. Each letter is created with attention to detail and has a unique role within a composition. Lettering is created as an image, with letters that are meant to be used in a unique configuration. Lettering words do not always translate into alphabets that can later be used in a typeface, since they are created with a specific word in mind.