Twenty Thousand Leagues Under the Seas in the context of "Classic book"

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⭐ Core Definition: Twenty Thousand Leagues Under the Seas

Twenty Thousand Leagues Under the Seas (French: Vingt Mille Lieues sous Les Mers) is a science fiction adventure novel by the French writer Jules Verne. It is considered a classic within its genres and world literature. It was originally serialised from March 1869 to June 1870 in Pierre-Jules Hetzel's French fortnightly periodical, the Magasin d'éducation et de récréation. A deluxe octavo edition, published by Hetzel in November 1871, included 111 illustrations by Alphonse de Neuville and Édouard Riou.

It was widely acclaimed on its release, and remains so; it is regarded as one of the premier adventure novels and one of Verne's greatest works, along with Around the World in Eighty Days, Journey to the Center of the Earth and Michael Strogoff. Its depiction of Captain Nemo's submarine, Nautilus, is regarded as ahead of its time, as it accurately describes many features of modern submarines, which in the 1860s were comparatively primitive vessels. Verne was inspired by a model of the French submarine Plongeur, which he saw at the Exposition Universelle in 1867.

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Twenty Thousand Leagues Under the Seas in the context of Sea monster

Sea monsters are beings from folklore believed to dwell in the sea and are often imagined to be of immense size. Marine monsters can take many forms, including sea dragons, sea serpents, or tentacled beasts. They can be slimy and scaly and are often pictured threatening ships or spouting jets of water. The definition of a "monster" is subjective; further, some sea monsters may have been based on scientifically accepted creatures, such as whales and types of giant and colossal squid.

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Twenty Thousand Leagues Under the Seas in the context of Jules Verne

Jules Gabriel Verne (/vɜːrn/; French: [ʒyl ɡabʁijɛl vɛʁn]; 8 February 1828 – 24 March 1905) was a French novelist, poet, and playwright.

His collaboration with the publisher Pierre-Jules Hetzel led to the creation of the Voyages extraordinaires, a series of bestselling adventure novels including Journey to the Center of the Earth (1864), Twenty Thousand Leagues Under the Seas (1870), and Around the World in Eighty Days (1872). His novels are generally set in the second half of the 19th century, taking into account contemporary scientific knowledge and the technological advances of the time.

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Twenty Thousand Leagues Under the Seas in the context of History of science fiction

The literary genre of science fiction is diverse, and its exact definition remains a contested question among both scholars and devotees. This lack of consensus is reflected in debates about the genre's history, particularly over determining its exact origins. There are two broad camps of thought, one that identifies the genre's roots in early fantastical works such as the Sumerian Epic of Gilgamesh (earliest Sumerian text versions c. 2150–2000 BCE). A second approach argues that science fiction only became possible sometime between the 17th and early 19th centuries, following the Scientific Revolution and major discoveries in astronomy, physics, and mathematics.

Science fiction developed and boomed in the 20th century, as the deep integration of science and inventions into daily life encouraged a greater interest in literature that explores the relationship between technology, society, and the individual. Scholar Robert Scholes calls the history of science fiction "the history of humanity's changing attitudes toward space and time ... the history of our growing understanding of the universe and the position of our species in that universe". In recent decades, the genre has diversified and become firmly established as a major influence on global culture and thought.

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Twenty Thousand Leagues Under the Seas in the context of Molluscs in culture

Humans have made multiple uses of molluscs, including as food, and they feature in art and in literature.

Useful interactions with molluscs range from their use as food, where species as diverse as snails and squid are eaten in many countries, to the employment of molluscs as shell money and to make dyestuffs and musical instruments, for personal adornment with seashells, pearls, or mother-of-pearl, as items to be collected, as fictionalised sea monsters, and as raw materials for craft items such as Sailor's Valentines. Some bivalves are used as bioindicators to monitor the health of marine and freshwater environments.

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Twenty Thousand Leagues Under the Seas in the context of Captain Nemo

Captain Nemo (/ˈnm/; also known as Prince Dakkar) is a character created by the French novelist Jules Verne (1828–1905). Nemo appears in two of Verne's science-fiction books, Twenty Thousand Leagues Under the Seas (1870) and The Mysterious Island (1875). He also makes a brief appearance in a play written by Verne with the collaboration of Adolphe d'Ennery, Journey Through the Impossible (1882).

Nemo is a mysterious figure. Though of unknown nationality in the first book, he is described as the son of an Indian raja in the second book. A scientific visionary, he roams the depths of the seas in his submarine, the Nautilus, which was assembled from parts manufactured in several different countries, then shipped to a cover address. The captain is consumed by a hunger for vengeance and hatred of imperialism; Verne included references to anti-imperialist uprisings, including the Kościuszko Uprising and Indian Rebellion of 1857, in the various backstories of Nemo.

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Twenty Thousand Leagues Under the Seas in the context of Nautilus (fictional submarine)

Nautilus is the fictional submarine belonging to Captain Nemo featured in Jules Verne's novels Twenty Thousand Leagues Under the Seas (1870) and The Mysterious Island (1875).

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