Glyptothek

Slavery was a widely accepted practice in ancient Greece, as it was in contemporaneous societies. The principal use of slaves was in agriculture, but they were also used in stone quarries or mines, as domestic servants, or even as a public utility, as with the demosioi of Athens.

Modern historiographical practice distinguishes between chattel slavery slavery (where the slave was regarded as a piece of property, as opposed to a member of human society) and land-bonded groups such as the penestae of Thessaly or the Spartan helots, who were more like medieval serfs (an enhancement to real estate). The chattel slave is an individual deprived of liberty and forced to submit to an owner, who may buy, sell, or lease them like any other chattel.

Greek temples (Ancient Greek: ναός, romanized: nāós, lit. 'dwelling', semantically distinct from Latin templum, "temple") were structures built to house deity statues within Greek sanctuaries in ancient Greek religion. The temple interiors did not serve as meeting places, since the sacrifices and rituals dedicated to the deity took place outside them, within the wider precinct of the sanctuary, which might be large. Temples were frequently used to store votive offerings. They are the most important and most widespread surviving building type in Greek architecture. In the Hellenistic kingdoms of Southwest Asia and of North Africa, buildings erected to fulfill the functions of a temple often continued to follow the local traditions. Even where a Greek influence is visible, such structures are not normally considered as Greek temples. This applies, for example, to the Graeco-Parthian and Bactrian temples, or to the Ptolemaic examples, which follow Egyptian tradition. Most Greek temples were oriented astronomically.

Between the 9th century BC and the 6th century BC, the ancient Greek temples developed from the small mud brick structures into double-porched monumental "peripteral" buildings with colonnade on all sides, often reaching more than 20 metres in height (not including the roof). Stylistically, they were governed by the regionally specific architectural orders. Whereas the distinction was originally between the Doric and Ionic orders, a third alternative arose in late 3rd century with the Corinthian order. A multitude of different ground plans were developed, each of which could be combined with the superstructure in the different orders. Temples would be destroyed due to warfare in the Greek World or from lack of repairs. Some of these temples such as the temple of Poseidon Soter (The Savior) would be rebuilt outside of Athens after the defeat of the Persian Empire in 449. From the 3rd century onward, the construction of large temples became less common; after a short 2nd century BC flourish, it ceased nearly entirely in the 1st century BC. Thereafter, only smaller structures were started, while older temples continued to be renovated or brought to completion if in an unfinished state.

The Staatliche Antikensammlungen (German: [ˈʃtaːtlɪçə anˈtiːkənˌzamlʊŋən], State Collections of Antiquities) is a museum in Munich's Kunstareal holding Bavaria's collections of antiquities from Greece, Etruria and Rome, though the sculpture collection is located in the Glyptothek opposite, and works created in Bavaria are on display in a separate museum. Ancient Egypt also has its own museum.

Doris (/ˈdoʊrɪs/; Ancient Greek: Δωρίς/Δωρίδος means 'bounty'), in Greek mythology, was a sea goddess. She was one of the 3,000 Oceanids, daughters of the Titans Oceanus and Tethys.

The gens Ulpia was a Roman family that rose to prominence during the first century AD. The gens is best known from the emperor Marcus Ulpius Trajanus, who reigned from AD 98 to 117. The Thirtieth Legion took its name, Ulpia, in his honor. The city of Serdica, modern day Sofia, was renamed as Ulpia Serdica.

The Temple of Aphaia (Greek: Ναός Αφαίας) is an Ancient Greek temple located within a sanctuary complex dedicated to the goddess Aphaia on the island of Aegina, which lies in the Saronic Gulf. Formerly known as the Temple of Jupiter Panhellenius, the Doric temple is now recognized as having been dedicated to the mother-goddess Aphaia. It was a favourite of Neoclassical and Romantic artists such as J. M. W. Turner. It stands on a c. 160 m peak on the eastern side of the island approximately 13 km east by road from the main port.

Aphaia (Greek Ἀφαία) was a Greek goddess who was worshipped exclusively at this sanctuary. The extant temple of c. 500 BC was built over the remains of an earlier temple of c. 570 BC, which was destroyed by fire c. 510 BC. Elements of this older temple were buried in the infill for the larger, flat terrace of the later temple, and are thus well preserved. Abundant traces of paint remain on many of these buried fragments. There may have been another temple in the 7th century BC, also located on the same site, but it is thought to have been much smaller and simpler in terms of both plan and execution. Significant quantities of Late Bronze Age figurines have been discovered at the site, including proportionally large numbers of female figurines (kourotrophoi), indicating – perhaps – that cult activity at the site was continuous from the 14th century BC, suggesting a Minoan connection for the cult. The last temple is of an unusual plan and is also significant for its pedimental sculptures, which are thought to illustrate the change from Archaic to Early Classical technique. These sculptures are on display in the Glyptothek of Munich, with a number of fragments located in the museums at Aegina and on the site itself.

Silanion (Ancient Greek: Σιλανίων, gen. Σιλανίωνος) was the best-known of the Greek portrait-sculptors working during the fourth century BC. Pliny gives his floruit as the 113th Olympiad, that is, around 328–325 BCE (Natural History, 34.51), and records he had no famous teacher. His idealized portrait head of Plato was commissioned by Mithridates of Persia for the Academy of Athens, c. 370 BC. Later copies of it and of an idealized portrait head of Sappho survive. Both are of simple ideal type, the Sappho not strictly a portrait, since Sappho (sixth century BC) lived before the age of portraiture. The best copy of Plato is in the Glyptothek of Munich (illustration).

Silanion also produced a "portrait" of the poet Corinna. Other "portrait" heads by Silanion evoked mythic and legendary heroes. An Achilles mentioned by Pliny was later adapted to represent Ares, and an equally idealized Theseus is mentioned by Plutarch.