Tureen in the context of "Silver-gilt"

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⭐ Core Definition: Tureen

A tureen is a serving dish for foods such as soups or stews, often shaped as a broad, deep, oval vessel with fixed handles and a low domed cover with a knob or handle. Over the centuries, tureens have appeared in many different forms: round, rectangular, or made into fanciful shapes such as animals or wildfowl. Tureens may be ceramic—either the glazed earthenware called faience, or porcelain—or silver, and customarily they stand on an undertray or platter made en suite.
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Tureen in the context of Decorative art

The decorative arts are arts or crafts whose aim is the design and manufacture of objects that are both beautiful and functional. This includes most of the objects for the interiors of buildings, as well as interior design, but typically excludes architecture. Ceramic art, metalwork, furniture, jewellery, fashion, various forms of the textile arts and glassware are major groupings.

Applied arts largely overlap with the decorative arts, and in modern parlance they are both often placed under the umbrella category of design. The decorative arts are often categorized in distinction to the "fine arts", namely painting, drawing, photography, and large-scale sculpture, which generally produce objects solely for their aesthetic quality and capacity to stimulate the intellect.

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Tureen in the context of Le Nove porcelain

Le Nove porcelain was made in the 18th century in the town now called Nove, near Bassano, then in the Republic of Venice's mainland territories, the terrafirma. It was made at a factory owned by Pasquale Antonibon, who was already making fine maiolica in fashionable styles, which continued to be made alongside the porcelain. Production of porcelain began in 1762 and ended when Antonibon died in 1773. But it resumed in 1781, when Francisco Parolin (or Parolini) leased the factory for twenty years in a partnership with the Antonibons, known as the "Parolin period". This lasted until 1802. Production of porcelain continued intermittently until 1835.

Initially soft-paste porcelain was made, but some hard-paste porcelain from about 1765, though soft-paste pieces are still assigned dates after this. Some of the factory's products are also classified as terraglia, the Italian version of Staffordshire creamware, a fine earthenware. The production was generally similar to that of the Cozzi porcelain factory in Venice itself, and used the same clays, so it can be difficult to distinguish between the two.

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