Tuning compensation in the context of "Baritone horn"

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⭐ Core Definition: Tuning compensation

A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. The term labrosone, from Latin elements meaning "lip" and "sound", is also used for the group, since instruments employing this "lip reed" method of sound production can be made from other materials like wood or animal horn, particularly early or traditional instruments such as the cornett, alphorn or shofar.

There are several factors involved in producing different pitches on a brass instrument. Slides, valves, crooks (though they are rarely used today), or keys are used to change vibratory length of tubing, thus changing the available harmonic series, while the player's embouchure, lip tension and air flow serve to select the specific harmonic produced from the available series.

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Tuning compensation in the context of Euphonium

The euphonium (English: /juˈfnəm/ yoo-FOH-nee-əm; Italian: eufonio; Spanish: bombardino) is a tenor- and baritone-voiced valved brass instrument pitched in 9-foot (9) B♭ an octave below the B♭ trumpet or cornet, employed chiefly in brass, military, and concert bands. The euphonium is a member of the large family of valved bugles, along with the tuba and flugelhorn, characterised by a wide conical bore. Most instruments have four valves, usually compensating piston valves, although instruments with four or five rotary valves are common in Eastern and Central Europe.

Euphonium repertoire can be notated in concert pitch in the bass clef, or in the treble clef as a transposing instrument in B. In British brass bands, it is typically treated as a treble-clef instrument, while in American band music, parts may be written in either treble clef or bass clef, or both. A musician who plays the euphonium is known as a euphoniumist, a euphonist, or simply a euphonium player.

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