Troubadours in the context of "Trovadorismo"

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⭐ Core Definition: Troubadours

A troubadour (English: /ˈtrbədɔːr, -dʊər/, French: [tʁubaduʁ] ; Occitan: trobador [tɾuβaˈðu] ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word troubadour is etymologically masculine, a female equivalent is usually called a trobairitz.

The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, trovadorismo in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his De vulgari eloquentia defined the troubadour lyric as fictio rethorica musicaque poita: rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) and since died out.

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Troubadours in the context of Medieval poetry

Poetry took numerous forms in medieval Europe, for example, lyric and epic poetry. The troubadours, trouvères, and the minnesänger are known for composing their lyric poetry about courtly love usually accompanied by an instrument.

Among the most famous of secular poetry is Carmina Burana, a manuscript collection of 254 poems. Twenty-four poems of Carmina Burana were later set to music by German composer Carl Orff in 1936.

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Troubadours in the context of Vielle

The vielle /viˈɛl/ is a European bowed stringed instrument used in the medieval period, similar to a modern violin but with a somewhat longer and deeper body, three to five gut strings, and a leaf-shaped pegbox with frontal tuning pegs, sometimes with a figure-8 shaped body. Whatever external form they had, the box-soundchest consisted of back and belly joined by ribs, which experience has shown to be the construction for bowed instruments. The most common shape given to the earliest vielles in France was an oval, which with its modifications remained in favour until the Italian lira da braccio asserted itself as the better type, leading to the violin.

The instrument was also known as a fidel or a viuola, although the French name for the instrument, Vièle, is generally used; the word comes from the same root as fiddle. It was one of the most popular instruments of the medieval period, and was used by troubadours and jongleurs from the 13th through the 15th centuries. The vielle possibly derived from the lira, a Byzantine bowed instrument closely related to the rebab, an Arab bowed instrument. There are many medieval illustrations of different types of vielles in manuscripts, sculptures and paintings.

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